Learning outcomes:
This course has been designed to enable you to:
- Introduce students to Dante’s writing with particular focus on the Divine Comedy
- Enhance critical appreciation of the texts discussed by close reading and practical criticism
- Encourage awareness of the diversity and complexity of texts from the period, including attention to theological and philosophical perspectives, literary innovations and the wider European context within which the texts were written
Course sessions:
1. Dante Amongst the Poets (Inferno 1, 2 and 4)
In this session, we will explore the very beginning of the Inferno (Inferno 1, 2 and 4), reflecting upon the reasons for Dante's journey through the afterlife, his initial encounter with Virgil, and the tensions between classical literature and the vernacular writing of Dante's own time.
2. Love, Loss and Reading Dangerously (Inferno 5)
In this session, we will focus primarily on Inferno 5, in which Dante encounters Francesca da Rimini, who explains the way in which she and her lover met their grisly fate. This session will focus on the dangers of vernacular love poetry, as well as some of the implications for Dante's own writing.
3. Suffering in Hell (Inferno 13)
In this session, we discuss Dante's journey to the circle of the suicides (Inferno 13). This is a remarkable canto, in that it contains a crucial moment of confusion between Dante and Virgil, a stunning allusion to the Aeneid, and the first explicit attempt in the poem to explain the logic of suffering in Hell.
4. Pity or Piety Down Below? (Inferno 20)
In Session 4, we discuss the tension between pity and piety in Dante's vision of Hell, responding particularly to Inferno 20 and Dante's reprimand by Virgil for responding too emotionally to the pain of the sinners before him. Following this, we explore Samuel Beckett's early short story, 'Dante and the Lobster', which was published as part of the collection, More Pricks than Kicks (1934).
5. Dante's Ugolino and Chaucer's Hugelyn (Inferno 33)
In our final session, we follow Dante to the very depths of Hell (Inferno 33), where he encounters Ugolino, frozen in ice and chewing endlessly on the skull of his enemy, the Archbishop Ruggieri. This prompts a discussion of the (failed) parent figures threaded throughout the Commedia. The session concludes with a comparison of Chaucer's 'Monk's Tale', from The Canterbury Tales.
Non-credit bearing
Please note that our Virtual Summer Festival of Learning courses are non-credit bearing.
Certificate of Participation
A certificate of participation will be sent to you electronically within a week of your Summer Festival course(s) finishing.