Institute of Continuing Education (ICE)
This course has been cancelled. Please register your interest by using the ‘Ask a Question’ function and we will notify you when this course, or a similar course, is next run.
The rich history of British folk song, and its pervasive and continuing impact on culture, are the subject of two linked one-day courses. You can choose to attend both days or one day only. This second day will focus on specific interdisciplinary intersections between folk song and literature. We will explore the history of musicality in literature, highlighting critical thinking from T S Eliot, Theodor Adorno, Jacques Derrida and Jeremy Prynne. We will go on to analyse research on specific writers and the influence of folk song on their writing, from the Romantics and Victorians through to 20th-century writers such as Angela Carter. A related musical event, led by the tutor, will take place on Monday evening, free of charge to those enrolled on the course.
This course is offered in conjunction with, Invisible music: traditional folk song and its influences on British literature I, taking place on Monday 6 August 2018.
Polly Paulusma is an external supervisor for the Cambridge English Faculty and currently teaches Practical Criticism and supervisors students with special research interests in literature and song. She has been a signed recording artist since 2003, releasing albums on Bjork's label One Little Indian and then founding her own folk label Wild Sound which has supported the work of nine other independent folk and acoustic artists. Her albums have achieved international critical acclaim and her songs have been published by Sony/ATV in Los Angeles. She has toured the USA, the UK and Europe, supporting Bob Dylan, Jamie Cullum, Coldplay and Marianne Faithfull in her travels. She bring all her music-making experience to her interdisciplinary research and teaching practice. She is playing at this year's Cambridge Folk Festival and further details can be found on her website.