Institute of Continuing Education (ICE)
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For Plato, beholding beauty is a path to philosophical wisdom; but at the same time Plato regards works of art as imitations that can lead away from truth. For Aristotle, on the other hand, beauty consists mainly in symmetry and proportion. Engaging with classical views of art and beauty, Renaissance philosophers debated questions including: what distinguishes beauty from deformity? Should art imitate nature or not? How is beauty embodied in the various arts, such as painting, music, or architecture; and is there a hierarchy of value among these forms? Does the appreciation of beauty make one virtuous? This course will consider the role of beauty within philosophical speculation, and investigate how Renaissance philosophers, who were sometimes also artists themselves, understood the connection between theory and practice in thinking about beauty and in producing art at the same time. Alongside their classical sources, main Renaissance figures to be studied in the course include Marsilio Ficino (1433-1499), Leon Battista Alberti (1404-1472), and Leonardo da Vinci (1452-1519).