Learning outcomes:
This course has been designed to enable you to:
- Develop knowledge and an understanding of medieval literature within its cultural and historical context
- Show awareness of critical and theoretical approaches to literature from the period
- Develop keener close reading skills, particularly when engaging with texts in Medieval English
- Articulate and discuss the broader concepts of the course and the relationships between the texts
Course sessions:
1. Chivalry and courtly love (The Knight’s Prologue and Tale)
1.1 Introduction to the Canterbury Tales
1.2 Chivalry and courtly love in the medieval world
In this session we will focus on the Canterbury Tales’ first prologue and tale, told by the Knight, in which central questions relating to love, women and freedom are introduced. There will also be a general introduction to the structure and context of Chaucer’s work to ensure that the material is accessible to those coming to the Canterbury Tales (or medieval English) for the first time.
2. Sex and social class (The Miller’s Prologue and Tale)
2.1 Class and social structures in medieval England
2.2 Sex and the countryside
Building on the previous session, we will turn our attention to the tale that follows the Knight, told (uninvited) by the Miller. This session will introduce the important and complex ways in which the pilgrims respond to one another in their storytelling, as well as providing some social context for those students new to the period.
3. Female independence and “auctoritee” (The Wife of Bath’s Prologue and Tale)
3.1 Arthurian literature and the pagan past
3.2 Medieval misogyny and what women want?
The Wife of Bath is one of Chaucer’s most famous creations and her prologue and tale has stimulated a long critical discussion around medieval misogyny (or feminism?). In addition to this, the tale itself is set within an Arthurian context, allowing for an introduction to this popular strand of medieval writing.
4. Tragic failures (The Monk's Prologue and Tale)
4.1 Chaucer’s sources and his connections with Italy
4.2 Pity and emotion in response to Dante’s Inferno
Chaucer’s Monk’s Tale includes a prominent translation from Dante’s Inferno, and the Italian poet is also mentioned by name in the Wife of Bath’s tale. This session will explore some of the sources for Chaucer’s writing, emphasising in particular the significance of Italian vernacular writing to Chaucer’s poetic practice.
5. Death and the root of all evil (The Pardoner’s Prologue and Tale)
5.1 The impact of the Black Death on medieval Europe
5.2 The making and breaking of Chaucer's company?
This final session focuses on the Black Death, which swept across Europe throughout the course of the fourteenth century. This cataclysmic event had a huge impact on medieval society and is mentioned explicitly by the Pardoner, who then proceeds to offer a moral tale that identifies greed as the route of all evil. This session will also explore some of the religious disputes in Chaucer’s time that foreshadow the trauma of the reformation.
Non-credit bearing
Please note that our Virtual Summer Festival of Learning courses are non-credit bearing.
Certificate of Participation
A certificate of participation will be sent to you electronically within a week of your Summer Festival course(s) finishing.