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Institute of Continuing Education (ICE)

 
Read more at: Understanding finance in organisations

Understanding finance in organisations

Type ref: 
Course code: 
2526NOE041
Start date: 
Monday, 5 January, 2026 - 00:00 to Sunday, 22 February, 2026 - 00:00
Apply by: 
Monday, 5 January, 2026 - 00:00
Course tutor id: 
9467
Course ID: 
31614
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
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Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
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Overview
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Aims of the course:

This course is for you if your answer to one of these questions is Yes:

  • Do you interact with financial specialists at work, and want to communicate better with them?
  • Are you self-employed, or considering self-employment?
  • Are you considering a career or secondment in finance?

Target audience:

No prior knowledge or experience of finance is assumed or required.

This course is at an intermediate level between our introductory finance course 'Essential finance', and our most advanced course 'Financial decision-making in practice'. However, you are warmly welcome to follow these courses in any order that suits your personal schedule. Many participants have followed two - or all three - of these courses in different order.

Learning outcomes:

As a result of the course, within the constraints of the time available, students should be able to:

  1. Enjoy collaborating with finance colleagues and specialist financial advisors
  2. Appreciate and improve the financial dimensions of any self-employed work they do
  3. Learn whether a secondment or career in finance likely to be enjoyable for them

Course content overview:

As a result of the course, participants should be able to understand and work with the financial aspirations and concerns of their employers, investors, customers and suppliers, including both internal and external financial considerations and trade-offs.

Topics will include:

  • Financial reporting and accounts
  • Financial planning and forecasting
  • Making friends with spreadsheets
  • Financial decision making
  • Getting your proposals considered
  • Next steps, including personal actions arising and accountability for doing them

Schedule:

Orientation Week: 5-11 January 20206

By studying this week the students should have:

  •  Become familiar with navigating around the VLE and from VLE to links and back
  • Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning Helpdesk
  •  Learnt how to look for, assess and reference internet resources
  • Used forums to introduce themselves to other students
  • Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies, and also to respond to any News items sent out on behalf of tutor.

Teaching Weeks: 12 January-15 February 2026

Week 1 - Financial reporting and accounts

Participants will gain a sound appreciation of the meaning and practicalities of financial reporting and accounts, together with its key terminology and conventions. By studying this week the students should have:

  • Understood the key conventions of the five primary financial statements in the financial reports of a large organisation, and the links between them.
  • Appreciated and applied the important accounting concepts of recognition, disclosure, depreciation, and amortisation.
  • Understood and worked with accruals, provisions, debtors, creditors, and other receivables and payables.
  • Attempted the related self assessment quiz questions on the VLE.
  • Contributed constructively to the related discussions on the VLE.

Week 2 - Financial planning and forecasting

Participants will grasp the fundamental importance of financial planning and forecasting, via mini-case studies. By studying this week the students should have:

  • Understood the key conventions of budgets, forecasts and variance analysis, including examples of favourable and adverse variances.
  • Understood and applied the concepts of gross and net profit, EBITDA, direct and indirect costs, and contribution.
  • Attempted the related self assessment quiz questions on the VLE.
  • Contributed constructively to the related discussions on the VLE.

Week 3 - Making friends with spreadsheets: This week we'll aim to improve the reliability and speed of your financial modelling work to support and deepen understanding of financial reporting, forecasting and decision making. By studying this week the students should have:

  • Appreciated the enormous potential of Excel to increase the speed, reliability and presentation of financial analysis.
  • Understood the fundamental importance of structuring Excel workbooks.
  • Learned the most important of Excel’s native functionality.
  • Understood the important differences between navigation, selection and editing.
  • Used the keyboard when appropriate, in place of the mouse. 
  • Attempted the related self assessment quiz questions on the VLE.
  • Contributed constructively to the related discussions on the VLE.

Week 4 -  Financial decision making

Participants will gain comfort and confidence with the practice and theory of financial decision making. By studying this week the students should have:

  • Appreciated the meaning and importance of production and pricing decisions, and scarce resource analysis.
  • Understood and applied payback and discounted cash flow analysis.
  • Integrated this understanding with their work in Weeks 1, 2 and 3. 
  • Attempted the related self assessment quiz questions on the VLE.
  • Contributed constructively to the related discussions on the VLE.

Week 5 -  Getting your proposals considered

This week we'll appreciate why and how financial decision makers require proposals to be presented for consideration, and will apply this understanding in a self-chosen case study. By studying this week the students should have:

  • Understood the reasons why financial decision makers need particular information about operational proposals, presented in conventional ways.
  • Connected this understanding with their learning from Weeks 1 to 4 of the course.
  • Deepened and broadened their practical appreciation of these concepts, by applying them to a self-chosen case study. 
  • Attempted the related self assessment quiz questions on the VLE.
  • Contributed constructively to the related discussions on the VLE.

Feedback Week: 16-22 February 2026

Purpose

  • Assessment of student learning, including optional personal action plans and accountability process
  • Assessment of student satisfaction 
  • Encouragement of further study

Study commitment and Certificate:

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

There will be an optional interactive 1 hr webinar each week. All webinars will be recorded and shared on the Virtual Learning Environment (VLE).

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and this course does not require participants to be online for a specific day of the week or time of the day.

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards, etc).

Certificate of Participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say: 

"Doug is an excellent tutor and I would recommend him and the course to my colleagues and friends. He has time for everyone and gives so much of it, especially to those students who struggle. He also works well with introverts as he does with extroverts - a skill that many do not have."

"I particularly like the Treasurer's Wiki. I have found this resource most helpful and the section on Spreadsheets. I also enjoyed the webinars and the one on one support that Doug provided. He has a very calm and reassuring manner, and his knowledge of the financial world is astounding."

"More than my expectations! I am so astounded by the amount of resources that were provided, and extra/optional info and tasks were very helpful too. This course gave me so much more than money's worth!"

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Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

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Fees and financial support
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Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
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Course Image version: 
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Study level ref: 
Canonical Course ID: 
31547

Read more at: The big questions in archaeology

The big questions in archaeology

Subject ref: 
Type ref: 
Course code: 
2526NOE038
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course tutor id: 
1928
Course ID: 
31613
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To explore key questions about humanity via archaeology
  • To learn the contribution of archaeology to these questions
  • to acquire new skills and methods in answering questions

Course content overview

Archaeology studies humanity’s past via material remains - but it does much more than that. As a discipline, it deals with some of the fundamental questions about humanity. Where do we come from? What makes us human? Are we the result of our genes? Do civilizations rise and fall? How does change happen? If you are interested in these questions, then this course is for you. Join me as we explore some of the big questions about what makes us human. Specifically, we will look at how archaeology can help us answer these questions. We will look at the key events and material remains and trace where ideas come from. Are our interpretations rooted in evidence or are they the result of wider historical forces? If you are interested in challenging what we know about our world, then this course is for you. Over the duration of the course we will explore some of the most challenging and fascinating questions with a mix of illustrated lectures, podcasts and discussions. 

Schedule (this course is completed entirely online)

Orientation Week: 27 October-2 November 2025

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

Teaching Week 1 - Where do we come from? Are we just big apes?

What does it mean to have a common ape ancestor? This lecture offers an overview of humanity’s fascinating journey from the common ape ancestor to modern humans (H. Sapiens sapiens). Our journey starts in Africa, an Africa that was very different from the one we know today. The journey to ‘becoming human’ is full of twists and turns. We will encounter different species, trace ancient footprints and follow a complex but fascinating puzzle. What was the world before us like?

Learning outcomes

By studying this week the participants should have:

  • Understood the basic mechanisms of human evolution
  • Traced the spread of humans

Teaching Week 2 - Are we the result of our genes? Exploring genetics and race 'science'

What exactly is a gene? Is something invisible to the naked eye really important? We are all familiar with the idea of DNA, whether we are watching a TV show or sending off samples to a “genetic ancestry” company. It looks simple: provide some saliva and catch the killer or find your long-lost ancestor. In reality, it is not straightforward. Join me as we explore what a gene is, and how this thing, so tiny as to be invisible to the naked eye, has been used and abused. What can genes tell us? What cannot they tell us?

This week we will explore the basics of genetics. Genetics is an important and vibrant field, but it has its limitations. More importantly, concepts of genetics, superiority and adaptation pre-date the actual scientific study of genetics. This week we trace the complex history of the gene and focus on what we can and cannot learn.

Learning outcomes

By studying this week participants should have:

  • Familiarized themselves the basics of genetics
  • Explored the origins and impact of race ‘science’

Teaching Week 3 - The rise of civilisations

What is a civilisation? How does a civilisation emerge? This lecture will focus on specific examples of ‘civilisations’, but fundamentally it asks what a civilisation is. Why does the idea of a civilisation conjure up visions of the Roman Empire but not of Nubia, for example? Rather than exploring individual civilisations, this week we will look at the fundamental issues, while examining a number of key places and societies.

The aim is not to explore a specific ‘civilisation’ but, in line with the course ethos, to engage with the idea of civilisations. Participants will be taken on a journey, documentary-style, and their attention will be directed to the Big Questions.

Learning outcomes

By studying this week participants should have:

  • Developed an understanding of what a civilisation is
  • Developed a solid interpretive framework

Teaching Week 4 - Empires, Kingdoms and Power

What is an empire? If the concept of a civilization is hazy, how about an empire? What happens when empires fall? In this lecture we will delve further into power, and what happens when power is concentrated in the hands of one ruler? This week we will challenge what we think we know about kingship. Is kingship synonymous with empire? What does a king look like? Our journey will take us to Sudan, Mali and beyond as we explore different forms of power.

Learning outcomes

By studying this week participants should have:

  • Furthered their understanding of what a civilisation is
  • Developed experience in constructing their own arguments

Teaching Week 5 - Empires: ancient and modern

In the 21st century we are witnessing a widespread debate with imperialism and decolonization. Are empires a thing of the recent past? How might they differ from ancient empires?  We will explore how ancient and modern empires conceptualize allies and enemies. How are divisions defined? Have they always been based on ideas of racial superiority?

This lecture discusses some hard-hitting topics. For example, what is the difference between Romans owning slaves and the Atlantic slave trade? Is discrimination a modern phenomenon? It is not, but its nature has changed considerably across time. This is something that archaeologists can and do trace in the archaeological record. It is also a multi-disciplinary project – because in asking the Big Questions we need to use a number of methods.

Learning outcomes

By studying this week participants should have:

  • Understood the different types of empires
  • The impact of different empires

Feedback Week

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

"This is another fascinating course from the ICE. Besides touching upon human evolution (which I wrongly thought would be the main theme), the tutor also gave an overview of various subjects. The topics of civilisation and the development of empires/kingdoms are particularly interesting and the related course materials certainly gave a different perspective compared with the conventional views. Overall speaking, I gained much knowledge through this course and the coverage of the course and the course materials surely exceeded my expectation."

"Isabelle's lectures where clear and she made tricky topics easy to follow and understand."

"It was brilliant to discuss archaeology with an expert such as Isabelle. I had private conversations on the invited zoom and participated in one of her lectures Jebel Moya. I'd never studied any aspects of archaeology before...and Isabelle informed me about Certificates and Diplomas with ICE."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 

Read more at: Instructional Design Fundamentals

Instructional Design Fundamentals

Subject ref: 
Type ref: 
Course code: 
2526NOE037
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course ID: 
31612
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To provide a practical introduction to Instructional Design
  • To explore effective theories and frameworks for designing learning/training content
  • To define effective aims, learning objectives, and learning outcomes
  • To explore ways to effectively evaluate the effectiveness of learning and training
  • To have participants create an instructional storyboard for a simple learning project 

Target audience

Anyone with an interest in the subject: teachers; instructors; professors; digital learning developers; students; learning managers; and anyone who is a stakeholder in the creation and delivery of learning/training content.

Course content overview

This course is designed for those who want to create highly effective instructor-led training, online learning, or mobile learning content — on any subject and for any audience. The course will cover:

  • Understanding the function and fundamentals of instructional design
  • Designing effective instructional content using the ADDIE (Analysis, Design, Development, Implementation, and Evaluation) model
  • Researching an audience and defining clear aims, learning objectives, and learning outcomes
  • Designing an effective learning framework using a storyboard approach
  • Evaluating the effectiveness of learning and training delivery

Teaching week 1 - What is instructional design?

Purpose/Learning outcomes

  • Describe underlying principles of instructional design (ID) and explain the benefits
  • Demonstrate a high-level knowledge of different ID models
  • Describe, explain, and compare each of the phases of the ADDIE ID model
  • Critically evaluate ADDIE as an appropriate model for ID
  • Apply these outcomes to participant’s chosen project. Participants will be asked to justify approaches/choices they make.

Teaching week 2 - Learning domains and Bloom's Taxonomy

Purpose/Learning outcomes

  • Compare and contrast the different types of learning gaps and evaluate the optimal approach for a given audience
  • State the aspects of evaluating and analysing an audience and its value for ID
  • Explain the essential elements and underlying principles of needs analysis
  • Evaluate specific example audiences and present appropriate learning strategies  
  • Describe, discuss, and critically evaluate Gagne and Bloom's idea of Learning Domains
  • Describe, discuss, and critically evaluate the use of Bloom's Taxonomy to inform an appropriate learning framework
  • Apply these outcomes to participant’s chosen project. participants will be asked to justify approaches/choices they make.

Teaching week 3 - Defining objectives and choosing delivery formats

Purpose/Learning outcomes

  • Define what aims, learning objectives, and learning outcomes are
  • Write and evaluate effective learning objectives using Blooms verbs
  • Compare and contrast different delivery formats
  • Evaluate and recommend appropriate delivery formats for different learning use cases
  • Apply these outcomes to participant’s chosen project. participants will be asked to justify approaches/choices they make.

Teaching week 4 - Designing content

Purpose/Learning outcomes

  • Describe the concept of a learning storyboard and state its value
  • Evaluate sample story boards an evaluate their effectiveness
  • Compare and contrast different ways to create an effective storyboard screen
  • Create a simple storyboard for a chosen project
  • Use storyboard screens to help inform the development of learning topics
  • Apply these outcomes to participant’s chosen project. participants will be asked to justify approaches/choices they make.

Teaching week 5 - Evaluating learning

Purpose/Learning outcomes

By studying this week the students should be able to:

  • Explain the benefits of evaluation and its relationship to analysis and design
  • Describe the Kirkpatrick evaluation approach
  • Determine which aspects of learning/training should be evaluated 
  • Discuss shortcomings of the Kirkpatrick approach
  • Compare LTEM (Learning Transfer Evaluation Model) approach with Kirkpatrick approach
  • Apply these outcomes to participant’s chosen project. participants will be asked to justify approaches/choices they make.

Schedule (this course is completed entirely online)

Orientation Week: 27 October-2 November 2025

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say:

"Paul was very helpful, very responsive, and put effort and energy into guiding us in the right direction. I would happily recommend this course to any teachers looking to move into instructional design."

"It gave a good broad overview of instructional Design, applicable to a range of experiences and job roles."

"The course met all my expectations. It was structured, pitched and delivered just right. I liked the mix of webinar, activities, and support material."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31548

Read more at: Milton and the meaning of freedom: an introduction to Paradise Lost

Milton and the meaning of freedom: an introduction to Paradise Lost

Short description: 

One of the greatest of all English poets, Milton was also one of history’s great advocates of liberty.  He not only dedicated his pen to the causes of democracy, free speech, and religious toleration, but risked his life in pursuit of them.  However, he also saw first-hand how easily a nation’s exercise of freedom goes astray. In his renowned epic poem Paradise Lost, he does more than tell a great story in resounding language:  he also sends a timeless message to posterity, that true liberty ― the kind worth taking a stand for ― means not merely freedom to pursue selfish desires, but the capacity to take moral responsibility for our choices, and by our example to help humanity rise up to its extraordinary potential for good.

Subject ref: 
Type ref: 
Course code: 
2526NOE036
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course ID: 
31611
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
20
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Purpose ref: 
Study mode ref: 
tab1name: 
Course information
tab1html: 

Aims of the course:

  • To introduce students to critical study of Milton’s Paradise Lost.
  • To provide students with the basic historical, intellectual and literary context needed to understand and appreciate Milton’s poetry and thought.
  • To bring to light some of the key things that give Paradise Lost such lasting importance and continuing capacity to inspire.

Learning outcomes:

As a result of the course, within the constraints of the time available, students should be able to:

  •  Develop a critical approach to understanding Milton’s Paradise Lost.
  •  Assess the poem’s relationship to Milton’s wider thought and historical role.
  •  Evaluate the merits of some influential critical views of the poem.

Course content overview:

Course content overview:

One of the greatest of all English poets, Milton was also one of history’s great advocates of liberty.  He not only dedicated his pen to the causes of democracy, free speech, and religious toleration, but risked his life in pursuit of them.  However, he also saw first-hand how easily a nation’s exercise of freedom goes astray. In his renowned epic poem Paradise Lost, he does more than tell a great story in resounding language:  he also sends a timeless message to posterity, that true liberty ― the kind worth taking a stand for ― means not merely freedom to pursue selfish desires, but the capacity to take moral responsibility for our choices, and by our example to help humanity rise up to its extraordinary potential for good.

The century in which Milton lived saw a deep and permanent change in the way Britain was governed ― the decisive rejection of royal absolutism and state control over religion, and the establishment in their place of such modern ideas as parliamentary sovereignty and religious toleration.  But Milton himself, though a vocal proponent of these changes, did not live to see their final victory.  Rather, his last years were spent under a restored monarchy, after the revolutionary nation to which he had dedicated his adult life failed to establish a viable self-government, and instead finally chose (as he saw it) to crawl back wilfully into the embrace of the regal tyranny that it had so recently and so heroically shaken off.

How to explain this apparently voluntary defeat?  And how, above all, to inspire a nation once again with the ideals from which they had turned away?  Only one thing remained:  to return to his youthful calling as a poet, and at last to complete the great didactic poem that he had long imagined ― addressing it now not only to his contemporaries but to posterity, and instilling into it all that life and study had taught him about freedom and tyranny, and about the choice we make between them in every generation.

In Paradise Lost, Milton roots his definition and defence of true freedom in a larger moral and theological vision addressing the very nature of humanity and the purpose of human life.  To understand that vision and its implications, we will need to consider his innovative and critical take on some central ideas of the Western poetic, philosophical and religious traditions, as well as his strong lived sense of humanity’s dilemma and potential dignity as a rational and passionate creature.

In Week One, we will look at Milton’s place in the momentous historical events that shook England during his lifetime, with especial attention to his famous tract in defence of free speech, religious toleration, and accountable government, the Areopagitica.  From Week Two onward, we will look closely at Paradise Lost itself, progressing through the poem from start to finish, while continuing to build our understanding of key aspects of its poetic form, its subject matter, and its didactic aims.

Emphasis will be placed throughout on looking attentively at the words Milton wrote, and students will be invited to participate each week in closely reading significant passages from his major works, especially Paradise Lost.  Weekly presentations and readings will provide historical and critical context, as well as initiating the close reading activities and group discussions to be pursued by the students.

Schedule (this course is completed entirely online):

Orientation Week: 27 October-2 November 2025 

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

Recommended set text:

John Milton, The Major Works (Oxford World Classics), ed. Stephen Orgel and
Jonathan Goldberg, (Oxford University Press), 2008.

Many other modern editions of Paradise Lost (and of the other set text,
Areopagitica) are available, and you will be able get by with any of them;
but it is strongly recommended that you acquire the specified Oxford
edition of Milton's Major Works because, besides the whole of Paradise Lost
and Areopagitica, it also very conveniently includes most of the other
works by Milton to which the course tutor will refer throughout the course.

Detailed Course Schedule

Week 0 - Preparing to study this course

Purpose/Learning outcomes

By studying this week the students should have:

  • Become familiar with navigating around the VLE and from VLE to links and back.
  • Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning team
  • Learnt how to look for and reference internet resources.
  • Used Quickmail to introduce themselves to other students
  • Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies and also to respond to a question set by tutor aimed at initiating critical discussion of Milton.

 

Week 1 - Milton’s Revolutionary Ideas (Text for Close Study:  Areopagitica)

Purpose

  • Students will be introduced to Milton’s historical situation and political thought by way of a close look at his best-known prose work, the Areopagitica, a Speech for the Liberty of Unlicensed Printing (1644).
  • Historical context will be provided, describing key events in the 1630s and 1640s leading up to and during the English Civil War, in whose context Milton’s passionately held ideas about political and religious freedom gradually took shape.
  • A critical reading of Areopagitica itself will elucidate its argument, highlight some of its central ideas and presuppositions as well as the limitations with which its argument is hedged, and will give consideration to how this important tract fits into the history of Western political ideas.  Attention will also be drawn to the ways in which Areopagitica anticipates some key themes of Paradise Lost.
  • Other important works written by Milton during this period will be mentioned, including his short poem Lycidas (1637), his early prose work The Reason of Church Government (1642), and his uncompromising defence of the revolutionary execution of King Charles I, The Tenure of Kings and Magistrates (1649).

Learning outcomes

By studying this week the students should have:

  • Understood the historical context in which Milton’s ideas were articulated.
  • Seen in detail the grounds on which Milton argued in favour of political and religious liberty.
  • Closely read and discussed an important example of Milton’s political prose.

Week 2 - Milton and Epic Poetry (Text for Close Study:  Paradise Lost, Books 1 – 3)

Purpose

  • Students will be introduced to the opening books of Paradise Lost by way of a consideration of the poem’s relation to the tradition of epic poetry as Milton understood it.
  • In writing his epic poem Paradise Lost, Milton explicitly and ambitiously set out to achieve in English what Homer had done in Greek and Virgil in Latin.  But why did he choose to imitate this ancient poetic form? What was his understanding of epic poetry, and of what it can do?  And how did he adapt it to his modern purposes in the historical and cultural circumstances of seventeenth-century England?
  • As we look closely at the opening three books of Paradise Lost this week, we will consider closely two crucial characteristics of epic poetry ― form and content ― and we will ask how Milton saw them as contributing to his aim of writing a poem that could have a significant moral impact on the world.
  • Under the rubric of form, we will give especial attention to the distinctive and powerful verse form of Milton’s poem, asking how it works and what the author set out to achieve by writing in this style.
  • Turning to the question of content, we will observe that, for Milton, an epic poem was essentially the story of a hero, a virtuous figure capable of inspiring imitation.  Accordingly, a key choice for the aspiring epic poet was who one’s hero was to be, that is, which story of heroism to retell.  Yet after many years of pondering this question, he finally wrote a poem in which it is famously debatable who the hero is ― and in which the most obvious candidate for that role is an astonishingly unconventional choice, especially for an author who was a committed Christian:  namely, the Devil himself.
  • So is Satan really the hero of Paradise Lost, as many readers down through the centuries have supposed?  If so, what could it mean for Milton to have made such a choice?  And if that was not his intention, what is it about the poem that has misled so many readers into reaching that conclusion?  Or was Milton himself, as William Blake famously suggested, somehow “of the Devil’s party without knowing it”?
  • We will consider these questions in light of the long critical tradition, looking closely at the poem itself for clues, to discover what examining the issue of heroism can teach us about Paradise Lost.

Learning outcomes

By studying this week the students should have:

  • Learned about the nature and significance of epic poetry as Milton understood it.
  • Seen how Milton adapts some important epic conventions to his purposes in the opening books of Paradise Lost.
  • Understood the importance of the verse form and the role of heroism in epic poetry.
  • Discussed the basis for the influential idea that Satan is the hero of Paradise Lost.

Week 3 - Milton and The Bible (Text for Close Study:  Paradise Lost, Books 4 – 6)

Purpose

  • As we proceed to the part of Paradise Lost which introduces its human characters Adam and Eve, we will shift our focus from the poem’s classical heritage in the tradition of epic poetry, to its equally prominent grounding in the Christian scriptures.  We will ask why Milton chose, as the narrative basis of his poem, to retell a story from the Bible, and why in particular the story of the expulsion of Adam and Eve from the Garden of Eden.
  • In order to get to grips with these questions, we will look carefully at what Christianity meant to Milton. We will see that, though Milton’s England understood itself to be a Christian nation, the very nature and meaning of ‘true’ Christianity was intensely contested, indeed was a central issue in the English Civil War through which he lived.  What is more, although Milton emphatically took sides in this contest, his own understanding of Christianity was far from conforming to the majority view even within the ‘Puritan’ camp with which he is sometimes misleadingly identified.  We will look closely at what Milton’s very personal understanding of Christianity was, how it determined his approach to the Bible, and how it shaped in striking ways his choice and handling of a Bible story in Paradise Lost.
  • As part of this week’s exercise in exploring the scriptural basis of Milton’s poem, we will closely read the Bible story (Genesis, chapters 1 – 3) on which Milton bases his narrative, trying to see the Biblical text itself with fresh eyes from something like a Miltonic perspective.  We will discover how, from Milton’s point of view, this very familiar story nonetheless presented quite extraordinary problems, raising profound questions about God’s wisdom and justice, which he felt it was absolutely necessary to answer if one was to make sense of being a Christian at all.  We will then return to Paradise Lost, to see how these pressing questions end up featuring in crucial ways in the poem.

Learning outcomes

By studying this week the students should have:

  • Understood the basic tenets of Milton’s Christianity, and the importance of the Bible to him
  • explored in detail the Biblical story on which Paradise Lost is based.
  • Considered the significance of this specific story to Milton, and examined critically some key ways in which he adapts it in the retelling. 

Week 4 - The Fall:  Milton on Getting it Wrong (Paradise Lost, Books 7 – 9)

Purpose

  • This week, as we reach the story’s crisis in Book Nine of Paradise Lost, we will look closely at how the poet represents the human capacity to make catastrophic choices directly contrary to our own true interests.
  • In order to make sense of Milton’s treatment of this theme, we will need to establish some background in two areas:  firstly, in the philosophical tradition going back to Plato which described the human propensity for setting our hearts on the wrong things in terms of an intrinsic conflict in our nature between rational and passionate motivations; and secondly, in the Christian theological tradition rooted in Augustine, which tried to account for the human capacity to do wrong in terms of God’s gift to us of free will.
  • We will see how Milton drew deeply on both these traditions, but also how he approached them both in a highly critical spirit, giving to his own account of human choice a very personal slant.  Not least, his poem provokes us to ask why a wise and benevolent God would have created us prone to making poor choices by endowing us not only with reason but also with potentially misleading passionate desires, and indeed why God would have given us the power of free choice at all, knowing we would use it to our own harm. Can a God who created us so fallible really blame us for our mistakes, taking no part of the blame himself?  Still more fundamentally, the poem confronts us with the question whether, finding ourselves constituted as we are, we can really accept that we are the creatures of a wise and benevolent God, or whether on the contrary it might even be better to rebel against that story, deliberately making the very choices which we are told God has expressly forbidden.
  • Entangled with these questions, both in the Biblical story per se and in the Christian theological tradition, is the question of the respective moral responsibilities, and culpabilities, of women and men.  At its worst, that tradition had used the story of Adam and Eve to justify a view of women as inherently prone to sin, and to deny them the capacity for independent moral agency.  Milton confronts this tradition too, seeking an interpretation of the Bible compatible with his conviction that all humans are free moral agents with an ability to choose the good, and that no person’s moral failings can validly be blamed on another.
  • In Paradise Lost, Milton grapples with all these questions not just in the abstract, but in concrete narrative terms.  That is to say, he tries not merely to argue his way to a viable answer, but to show it plausibly at work in a the actions of believably human characters.  Does he succeed?  And what can we learn along the way about a set of ideas which still play a large part in shaping our sense of who we are, and of what we mean by taking moral responsibility for our actions?

Learning outcomes

By studying this week the students should have:

  • Seen how Milton draws on philosophical and theological traditions in his representation of the human capacity for making choices which are contrary to our own true interests.
  • Understood and assessed Milton’s depiction in Paradise Lost of the motivations of, and culpability for, the respective Falls of Adam and Eve.
  • Discussed Milton’s representation in the poem of the respective duties and capacities of men and women, with reference to the concepts of misogyny, obedience and freedom.

 

Week 5 - Redemption:  Milton on Getting it Right (Paradise Lost, Books 10 – 12)

Purpose

  • This week we will focus on some of the questions that Milton grapples with in the final three books of Paradise Lost, as his story explores the question of what happens to Adam and Eve, and to humanity at large, after the Fall.  These questions include:  How can we recover from our mistakes, above all from the kind of really disastrous choices that upend our whole lives?  And how can we make amends for wrong choices that seriously harm not only ourselves but others ― often the very ones we love most?  Finally, how can we, so full of failings as we are, come together to work for our collective good and to extract ourselves from a long legacy of mutual harm? 
  • This last phase of the story of Paradise Lost is crucial for Milton’s purposes, because in it he deals directly with the human situation not in a hypothetically pristine original state, but as we find ourselves today in lived experience ― that is, immersed in world full of hardships and a society replete with injustices, and each burdened with the knowledge of being far from perfect in our thoughts or deeds.
  • There are two main aspects of this last phase of the story to consider.  One concerns the personal level at which Adam and Eve have to find again their respect and care for themselves and for one another after the calamitous choices that have nearly ruined them.  The other, conveyed through a vision shown to Adam outlining the future of the human race, takes in the wider social dimension of human relations as well, and thereby returns us, from another angle, to the political questions with which we began the course.
  • This week we will also revisit other themes explored during the course in light of the poem’s concluding books.  Notably, here is where Milton’s distinctive conception of what it really means to be a Christian is most clearly expressed ― a conception which hinges on the idea of human freedom, and which helps to lay the ground for much subsequent ethical thought, both Christian and secular.  We will also return at the end to the question of who the hero of Milton’s epic poem is… and perhaps discover a surprising answer.

Learning outcomes

By studying this week the students should have:

  • Explored in detail Milton’s depiction of the conditions of human life, and of moral choice, after the Fall.
  • Considered the poem’s place and influence in the history of Western moral thought.
  • Gained further insight into the topics addressed in earlier weeks, in particular by seeing how the end of the poem deals with questions of political and religious freedom,  the nature of Christianity and interpretation of the Bible, and the meaning of heroism.

Week 6 - What Next?

Purpose

  • Assessment of student learning
  • Assessment of student satisfaction
  • Encouragement of further study

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

Certificate of Participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say:

"Paul's presentation lectures were excellent, but most of all, his guidance and responses on the discussion threads was marvellous. Very generous in time and energy, enthusiastic responses to and further shepherding of our discussion. Really excellent"

"Paul was an excellent tutor on this course. Clearly loves his subject. Enthusiastic, warm, and encouraging but at the same time gently challenging us to go further and think deeper. Paul seemed to have endless energy in his involvement in the many threads of thought that developed. I felt as though he respected and valued all course members and their contributions. Paul made the course a very positive experience. Would very much like to study with him again if I get the opportunity"

“The content  was excellent - encyclopedically wide presentation and context-setting, and superb guidance and response on the discussion threads”

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Requirements
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Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

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Fees and financial support
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Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
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Read more at: Hitler and Nazi Germany

Hitler and Nazi Germany

Short description: 

Adolf Hitler is one of the dominant figures of the 20th century. He and the Nazis changed the lives of most Europeans during his years in power and the consequences of their defeat were far-reaching. This course will explore, among other things, how the Nazis rose to power, their apparent popularity in Germany in the 1930s and Hitler’s determination to unleash a war which led to the death of millions and to genocide.

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Course code: 
2526NOE035
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
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Monday, 27 October, 2025 - 00:00
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305
Course ID: 
31610
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
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Aims of the course:

  1.  To provide a narrative of the life and times of Adolf Hitler.
  2.  To explore the reasons why the Nazis came to power in 1933.
  3.  To examine what life was like in Nazi Germany.
  4.  To look at the various forms of resistance to the Nazis and why they failed.
  5.  To discuss the reasons for and the meaning of the Holocaust in the context of the war in the East.

Course content overview:

  • This course aims to give a general narrative of the rise to power of Hitler and the Nazis, exploring why such a party could gain around 34% of the popular vote in 1932. We will look at the features of life in Nazi Germany between 1933 and 1939, and the nature of resistance to the Nazis, before looking at the events which led to WW2 in 1939.
  • The last two units will deal specifically with Nazi policies in Eastern Europe and the Soviet Union, in particular the ethnic cleansing of Poles and Russians in ‘a war of annihilation’ and the ways in which this created the context for the implementation of the ‘Final Solution of the Jewish Question.’
  • There has also been a large amount of new research on the Nazis which has resulted in some impressive new histories and biographies from such people Robert Gerwarth, Ian Kershaw, Peter Longerich and Michael Burleigh, etc. Guiding students towards some of the excellent sources now available will be an important part of this course.

Schedule (this course is completed entirely online):

Orientation Week: 27 October-2 November 2025 

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

 

Week 0 - Preparing to study this course

Purpose/Learning outcomes

By studying this week the students should have:

•Become familiar with navigating around the VLE and from VLE to links and back

•Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning Helpdesk

•Learnt how to look for, assess and reference internet resources

•Used forums to introduce themselves to other students

•Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies and also to respond to News item sent out on behalf of tutor

Week 1 - Kampfzeit: the rise to power, 1918 – 1933

Purpose:

The course will begin by looking at Hitler’s early life and the influences upon him up to and including his service on the Western Front in the First World War. From there we will consider the state of Germany after the defeat of November 1918 and the formation of the National Socialist German Worker’s Party (NSDAP). We will look at the abortive Munich Putsch of 1923 and its consequences, the struggles for power within the Nazi Party and the emergence of Hitler as undisputed ‘Fuhrer’ before considering the ways in which the Depression transformed the political landscape within Germany and how the Nazis exploited this situation to become the largest single party in the Reichstag by 1932. We will end by considering the process by which Hitler became Chancellor in January, 1933. Was it, as Nazi propaganda asserted, a ‘seizure of power,’ or was he manoeuvred into power by non-Nazi forces around him?

 

Topics to include:

  • Hitler’s life until the First World War
  • Defeat and revolution in Germany, 1918-1923
  • The Munich Putsch
  • The ‘wilderness years, 1923-29’
  • Leadership struggles within the Nazi Party
  • Creating the ‘Fuhrer’
  • The effects of the Depression on the Germany economy and society
  • Why and how did the Nazis benefit from the Depression?
  • Manoeuvred into power – January 1933

 

Learning outcomes

By studying this week the students should have:

•An introduction to the early life of Adolf Hitler to 1918;

•Some understanding of the state of Germany in the years after the First World War;

•Some appreciation of the development of, and the struggles within the Nazi Party before 1933;

•Some understanding of why and how Hitler came to power in January, 1933.

Week 2 - Title: Volksgemeinshaft – Germany under the Nazis, 1933 - 1939

Purpose:

This Unit will consider life in Nazi Germany in the 1930s, beginning with the initial measures to establish the régime and neutralize opposition. From there we will look at how the régime won the acquiescence of the majority of the German people by reducing unemployment, providing for a rising standard of living and restoring German power and pride. We will also consider the power of the ‘Fuhrer myth’ and the charismatic role of Hitler both as a method of making the régime popular and as an illustration of the ways in which policy was made in the Third Reich. We will also consider Nazi policies towards specific groups such as women and young people, the power of propaganda and the development of persecution aimed at Jews and other groups deemed by the régime as either a threat or expendable.

 

Topic to include:

  • Establishing the dictatorship
  • Creating the terror state
  • ‘The Night of the Long Knives’
  • Economic miracles
  • The propaganda state
  • Hitler worship
  • The Nuremburg rallies and Leni Riefenstahl
  • Hitler’s Olympics, 1936
  • Nazi art and architecture
  • Nazis and women
  • Nazis and young people
  • The racial state
  • Resistance to Hitler
  • The T4 project – precursors of genocide?
  • Kristallnacht and the persecution of the Jews

 

Learning outcomes

By studying this week the students should have:

•Some insight into how the dictatorship and the ‘terror state’ was established

•Some appreciation of how Nazi policies affected women, young people, the workplace etc

•Appreciated the power of propaganda in moulding opinion and perceptions and the various uses of the ‘Fuhrer myth.’

•Some understanding of the development of racial policies towards the Jews and the significance of the T4 euthanasia project

Week 3 - Deutschland Erwache! The road to war, 1919-1939

Purpose

This unit will concentrate on the study of events in Europe in the 1930s which led to the German invasion of Poland and the outbreak of war in September, 1939. We will begin by looking at the impact of the Treaty of Versailles on Germany in the 1920s, and the opposition the Treaty generated within Germany. On taking power, Hitler soon pursued policies which broke the provisions of the Treaty and we will discuss the reasons why the allies, France and Britain in particular, failed to enforce the Treaty after 1933. From there we will look at the foreign policy successes Hitler achieved in the Rhineland, Spain, Austria and Czechoslovakia, the latter involving the notorious Munich Agreement of 1938. This unit will end by looking at the Nazi-Soviet Pact of August 1939 – why did these two opposing ideologies sign a treaty of friendship and co-operation? The Unit will end by posing the question: did Hitler end up fighting the wrong war in 1939?

 

Topics to include:

  • Germany and the Treaty of Versailles 1919-1933
  • Early steps: the entry into the Rhineland and conscription
  • Hitler’s plans for war
  • Hitler and Mussolini – from adversary to ally
  • Intervention in Spain
  • Appeasement and ‘non-intervention’
  • Anschluss, Austria 1938
  • The Sudetenland and the Munich Agreement
  • The Nazi-Soviet Pact
  • The wrong war?

 

Learning outcomes

By studying this week the students should have:

•Some appreciation of the effects of the Treaty of Versailles on Germany between 1919 and 1933;

•Considered the ways in which Hitler repudiated the Treaty after 1933;

•Some insight into why Britain and France responded with the policy of appeasement;

•An introduction to the narrative of events from Germany’s withdrawal from the Disarmament Conference in 1933 to the occupation of Prague in March 1939.

 

Week 4 - Vernichtungskrieg! A different sort of war, 1939-1945

Purpose

The war that Hitler unleashed in September 1939 was intended from the beginning to be a different sort of war. After considering the narrative of events of 1939-40 (the invasion of Poland, the conquest of western Europe in May-June 1940 and the ‘Battle of Britain’) this week will concentrate on the war in the east and the plans the Nazis had for large-scale ‘ethnic cleansing’ and resettlement in Poland, the Baltic States, the Ukraine and European Russia, territories Timothy Synder has called ‘the bloodlands.’

This ‘war of annihilation,’ as Hitler called it, was the prelude to the creation of a vast Germanic empire in the east stretching to the Urals. Hitler had written and spoken of this war since the 1920s and we will examine the ways in which Nazi policies in the east were implemented, first in Poland, then in the Soviet Union. We will also consider the role of the Einsatzgruppen murder squads and of allies and collaborators from across Europe who volunteered to fight in Russia as part of a European ‘crusade’ against ‘Bolshevism’. The week will conclude by detailing the ways in which the Germans and their allies were finally forced to retreat by the Red Army after the defeat at Stalingrad and the consequences of the Bomb Plot against Hitler of July 1944. Finally, we will consider the question: why did the Germans fight to the bitter end in 1945 when it was clear that the war was lost?

 

Topics to include:

  • Germany’s war, September 1939-September 1940
  • Did Hitler ever intend to invade Britain?
  • Germany turns east – the plans for German rule in the east
  • ‘Ethnic cleansing’ and resettlement
  • The siege of Leningrad
  • Collaborators and allies in the east
  • The battle of Stalingrad
  • On the back foot – the Soviet advances
  • The Bomb Plot and its consequences
  • Why did the Germans fight to the end in 1945?

 

Learning outcomes

By studying this week the students should have:

•Some insight into why the war in the east was described as ‘a war of annihilation’;

•Some appreciation of the manner in which this policy was put into effect and its consequences;

•Some understanding of why nations and individuals fought for, or alongside, Nazi Germany.

 

Week 5 - Endlosung: the Final Solution of the Jewish Question

Purpose

The final week follows on from week 4, as the attempted extermination of the Jews took place within the broader concept of the ‘war of annihilation’ in the east. We will begin by looking, briefly, at anti-Semitism before 1933 and, in particular, how a religious prejudice changed in the nineteenth-century, under the influence of pseudo-science, into a biological racial theory, which, after 1917, was linked to a fear of Communism. From there we will look at ways in which the Nazi state sought to exclude Jews from all aspects of German cultural, social and economic life and how, in the 1930s, a policy of forced emigration was favoured.

With the outbreak of war the situation changed, emigration was no longer an option and, with the conquest of Poland, the Ukraine and European Russia millions of Jews found themselves under Nazi control. The ways in which, and the reasons why, Nazi policy towards the Jews evolved so rapidly in late 1941 and early 1942 is an important part of this week. At some point in the autumn of 1941 a decision appears to have been taken at the highest levels that the Jews of Europe should be systematically shipped to the east and exterminated, we will look at the evidence for this and the work of historians, such as Ian Kershaw, who have written on this question.

This period witnessed Nazi policy move away from mass shooting towards experiments with gas, particularly when the first extermination camp was established at Chelmo in December 1941. We will also consider the Wansee Conference of January 1942 and its place in the radical escalation of killing seen at this time. From there we will examine the evolution of Auschwitz from a concentration camp to an industrialized centre of extermination and how this was achieved. We will also consider the role of Germany’s allies and collaborators in the Holocaust, what the British and Americans may or may not have known about what was going on, and the fate of Roma and millions of Russian prisoners-of-war in related Holocausts. The week will end by considering the attempts to bring the perpetrators to justice, asking the question why this process has so often failed and the significance of those who deny that the Holocaust ever took place.

 

Topic to include:

  • Anti-Semitism before 1933
  • Nazi persecution of Germany’s Jews before 1939
  • Eichmann in Vienna, 1938
  • Nazi treatment of the Jews of Poland and the Soviet Union
  • When did Hitler decide on genocide?
  • Escalation, Chelmo and the Wansee Conference
  • Operation Reinhard
  • Hungary 1944
  • Jews for sale – Himmler and the allies
  • Other Holocausts – the Roma and Russian POWs
  • Justice against the perpetrators
  • Holocaust denial

 

Learning outcomes

 By studying this week the students should have:

•An introduction to the varied roots of anti-Semitism in pre-war Europe

•Some understanding of Nazi policies towards German and Austrian Jews prior to 1939 and their consequences;

•An appreciation of how Nazi policy concerning the ‘Jewish Question’ evolved over 1941-42;

•Some insight into the varied roles played by allies and collaborators in the Holocaust;

•Some understanding of why post-war attempts to bring perpetrators to trial have been so difficult.

 

 

Week 6 - What Next?

Purpose

•Assessment of student learning

•Assessment of student satisfaction

•Encouragement of further study

 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

Certificate of Participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say: 

"It was lively and informed and the tutor contributed hugely to this."

"I appreciated how Andrew took the time to interact with the forums, offer interesting advice and different perspectives on the subject as well as fascinating materials promoting further enquiry and study."

"Very personalized approach. I enjoyed it very much"

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31539

Read more at: British Children’s Literature in the 20th Century

British Children’s Literature in the 20th Century

Type ref: 
Course code: 
2526NOE034
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course ID: 
31609
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Purpose ref: 
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To explore the history of British children's literature across the 20th Century.
  • To recognise the impact of cultural and social changes upon published material for children during this period.
  • To understand some of the trends, patterns, and authors of the 20th Century.

Target audience

Anyone who is interested in children’s literature, children’s reading habits, the history of the twentieth century, and those considering children’s literature as a programme of further study. This course will also be of benefit to writers for children in understanding more about their area of publishing (please note, however, that this is not a creative writing course). 

Course content overview

This course will discuss the development of British children’s literature across the twentieth century. We will consider how children’s fiction has been impacted by the changes in society and culture, changing ideas of “the child” and of “childhood”,  whilst also recognising some of the key trends and influences from the period. Each teaching week will focus upon a particular period such as the dawn of the twentieth century or the war-years and offer a broad introduction to the period before exploring specific angles of interest. 

Schedule (this course is completed entirely online)

Orientation Week: 27 October-2 November 2025

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

Teaching Week 1 - Golden Ages and New Girls (1900-1914)

This week will introduce and consider British children’s fiction published between 1900-1914. This was something of a “golden age” in children’s literature where many of the titles published are still considered as classics now, along with the rise of the school story and the birth of children’s literature as we recognise it today. We will consider how golden age fiction celebrated a particular idea of both child and childhood, the newly felt impact of girls as a readership, and the associated rise of the boarding school story. 

Learning objectives:

  • To understand how educational and cultural reforms impacted upon the rise of popular children’s fiction for girls.
  • To identify some of the key characteristics of golden age children’s literature. 
  • To examine how golden age children’s literature constructed the child. 

Teaching Week 2 - The War Years (1914-18 & 1939-1945)

This week will look at children’s fiction published during the first and second world wars.  We will explore the fierce patriotism of the first world war, with all its legacy of empire and colonialism, before then comparing this against the patriotism of the second world war.  We will also discuss how authors approached writing in wartime and how children’s literature came to function as a form of support and resistance for its readers.

Learning objectives:

  • to recognise some of the differences between children’s literature published in World War One and World War Two. 
  • To analyse how some authors for children approached their writing in wartime. 
  • To understand how children’s fiction both contributed to and challenged the ‘home front’ national identity.

Teaching Week 3 - New Beginnings and Radical Leanings (1950+)

The post-war period saw a period of radicalism in children’s literature with many new imprints being formed by publishers in order to explore a brave new world. We will consider how these imprints and their editors influenced post-war publishing and helped generate a new form of golden age literature. We shall also consider the foregrounding of representation and social diversity within children’s literature, how authors dealt with the legacy of their own and their reader’s wartime experiences, and the rise of the fantastical in children’s fiction.

Learning objectives:

  • To consider how editors and post-war imprints guided and formed public taste.
  • To recognise how authors for children dealt with the legacy of individual and collective war experience. 
  • To understand the impact of changing ideas around children and childhood upon children’s literature.

Teaching Week 4 - The Recession, the Natural and the Fantastical (1970+)

This week will consider how children’s publishing navigated the heightened political and personal circumstances of the 1970s. We will look at the rise of young adult literature and consider how the social and cultural movements of the wider world, such as financial austerity, impacted upon publishing for young people. We will also consider how authors looked towards the natural world for inspiration and how this interacted with ideas of the political. 

Learning objectives:

  • To describe some of the differences between children’s and young adult literature.
  • To consider the role of the “political” within children’s literature.
  • To analyse some extracts of nature writing within children’s literature.

Teaching Week 5 - A New Golden Age? (1990-2000)

The final decade of the 20th Century saw British children’s literature experience something of a cultural boom with the publication of titles such as the Northern Lights series by Phillip Pullman, the Harry Potter books by J.K. Rowling and the assertion of another “golden age”. Discussion also turned to issues of diversity and representation and publishing became increasingly big business. Students will consider the relationship between the industry and creativity, issues of representation within children’s literature, and how the children’s literature of this period talks back to what has come before. 

Learning objectives:

  • To consider diversity and representation in children’s literature and in particular “Mirrors, Windows, and Sliding Glass Doors” (Dr Rudine Sims Bishop, 1990).
  • To recognise and explain some of the overarching themes in children’s publishing of the twentieth century. 
  • To consider the “golden age” of the nineties in relation to previous golden age periods.

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31282

Read more at: Blogging and writing for online audiences

Blogging and writing for online audiences

Short description: 

The world of blogging has never been more accessible, nor more complex - nor more rewarding. This course will help students develop the wide range of skills needed to become sustainable, safe and ethical bloggers. We will analyse the diverse blogging styles out there, discovering what works - and what doesn't. We will also cover things that tie into blogging such as social media, sponsored posts, crowdfunding, SEO and affiliate schemes. Students will develop their own blogging approach and be able to (hopefully!) avoid any potential pitfalls.

Subject ref: 
Type ref: 
Course code: 
2526NOE033
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course ID: 
31608
Tuition fee: 
£525
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
15
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Study mode ref: 
tab1name: 
Course information
tab1html: 

Aims of the course:

1. To expose students a wide range of online writing formats and approaches, including vodcasting, blogging and podcasting.

2. To allow students to reflect, recognise and develop their own writing voice, style and platform preference.

3. To recognise and address the demands of writing for an online audience, such as personal safety ethical considerations, legalities and potential abuse.

Course content overview:

This course will explore a wide range of online writing formats and reflect upon the benefits and disadvantages of these approaches.

An understanding of the distinct nature of online writing will be developed, addressing both ethical and legal practicalities.

The student will be able to draw on a range of strategies in order to deliver consistent online content.

Course outline

Welcome to the course (Week 0)

  • Become familiar with navigating around the VLE and from VLE to links and back.
  • Test your ability to access files and the web conferencing software and sort out any problems with the help of the Technology Enhanced Learning team.
  • Learn how to look for, assess and reference internet resources.
  • Contribute to a discussion forum to introduce yourself to other students and discuss why you are interested in the course and what you hope to get out of your studies.

Week 1: Discovering Your Voice

By studying this week the students should have:

  • an understanding of the diverse approaches available to bloggers and selected a favourite to model best practice upon
  • an understanding of their personal drivers for blogging. 

Week 2: What To Write About (And How)

By studying this week the students should have:

  • developed a personal strategy for creating their content and finding ideas
  • an understanding of the benefits and risks of sponsored content, affiliates, and advertising.

Week 3: Ethics

By studying this week the students should have:

  • an entry-level understanding of copyright, both written and visual, and the General Data Protection Regulation
  • an awareness of wider ethical issues such as informed consent, abuse, managing their personal data, plagiarism and content theft.

Week 4: Community (No Blog Exists Within A Bubble)

By studying this week the students should have:

  • developed an appreciation and understanding of the established community within their particular sector
  • an understanding of how to manage third party input on their own sites, such as commenting, feedback and potential abuse
  • commented on an external blog.

Week 5: Sustainability (It’s Not All About The Stats)

By studying this week the students should have:

  • an understanding of the importance of self-care, scheduling and taking a break
  • an entry level understanding of SEO
  • an entry level understanding of monetizing opportunities such as Patreon, Amazon, and Ko-fi.

Week 6: Feedback and future directions

  • Assessment of student learning
  • Assessment of student satisfaction
  • Encouragement of further study

Schedule (this course is completed entirely online):

Orientation Week: 27 October-2 November 2025

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

Certificate of Participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

“What I have gained from the course?

  • A lot of information and resources about blogging which has increased (from a low base I think) my knowledge and understanding. There is a lot more to blogging than I had really thought about. As well as writing and posting regularly there is making your blog look attractive and getting it seen and read. The latter probably being the most demanding of all. 
  • Some interesting insights into other lives, interests, motivations and writing styles - from all of you, fellow students.
  • Excellent feedback from Daisy. I appreciate the focus on quality of writing from someone who is earning a living - or aiming to do so from writing. 
  • Space and time to think about whether I want to pursue blogging."

"This course has provided me with input on so many different aspects of social media and blogging! Each week's content was really thought-provoking and I found myself reflecting on it even when I wasn't sitting at my laptop. Daisy is such an encouraging, positive person who gives spot-on feedback, really making me see things I didn't before. I was so touched by the positive comments and am now so motivated to continue writing and posting. A huge thank you to you Daisy! "

"It’s really worth taking this course. The content and teacher’s feedback not only met my expectations but beyond. From this course, I have gained much knowledge which is beneficial to my blogging journey, including tips on naming my blog, writing tools, understanding copyright laws and fair use, GDPR, ethical considerations for bloggers, proper citation of the source material and so on. Not to mention the assistance of the tutor, Daisy is incredible and always willing to help students overcome the challenges of writing. And the most important thing I have got is how to improve my writing through the tutor's feedback."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our online courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Given the nature of creative writing, it is important that students' use of English is sufficiently fluent to be able to understand in English nuances of meaning and have a familiarity with the structure and grammar of English. Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31280

Read more at: Approaches to Western Art History

Approaches to Western Art History

Short description: 

image: Seagull, 2006, installation at Kumu Art Museum, Tallinn, Estonia. Photo: A.Koutny-Jones

Type ref: 
Course code: 
2526NOE032
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course tutor id: 
9443
Course ID: 
31607
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To explore key theorists of art from classical antiquity to the modern era. 
  • To examine specific texts produced by seminal theorists, and to begin to make connections between them.
  • To analyse theoretical texts about art by contextualising and critiquing them. 

Learning outcomes

  •  To understand the development of theoretical approaches to Art History from classical antiquity to the modern era.
  •  To demonstrate a knowledge of key primary sources and theoretical texts relevant to the study of Western art in particular.
  •  To think critically about written sources relating to Art History and make comparisons between them.

Course content overview

In this course we will explore how art has been written and thought about from classical antiquity to the modern era. By considering primary source texts as well as works of criticism, we will gain an understanding of the historiography and theory of Art History. Topics will include debates about art and architecture in the classical world; Renaissance approaches to art and architecture; art and the European Enlightenment; nineteenth and early twentieth-century art theory; and the New Art Histories. We will also consider how theoretical texts relate to artistic practice, and how approaches to Art History are expected to evolve in the future.

Schedule (this course is completed entirely online)

Orientation Week: 27 October-2 November 2025

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

Teaching Week 1 - Debates about art and architecture in the classical world

This week we will study seminal approaches to art and architecture in classical antiquity. We will look at two primary sources: Plato’s Republic and Vitruvius’s De architectura libri decem (The Ten Books on Architecture). We will begin by exploring the argument made by the Ancient Greek philosopher Plato that artistic production constitutes a mere imitation of reality, and is therefore a process of which we ought to be wary. We will then consider the key arguments made in the architectural treatise of the Roman architect and engineer Marcus Vitruvius Pollio, the only surviving writing on architecture from classical antiquity, and examine the impact this had upon later generations of architects.

Learning objectives:

  • To understand Plato’s theory of forms and how this relates to debates about the value of art.
  • To understand the elements which Vitruvius considered to be necessary for a well-designed building: firmness, commodity and delight. 
  • To explore the impact of the work of Plato and Vitruvius upon later approaches to art.

Teaching Week 2 - Renaissance approaches to art and architecture

This week we will study seminal approaches to art and architecture in the Renaissance period. We will look at two primary sources: Leon Battista Alberti’s De re aedificatoria (On the Art of Building) and Giorgio Vasari’s Le Vite de' più eccellenti pittori, scultori, e architettori (Lives of the Most Excellent Painters, Sculptors and Architects). We will explore how the work of the Italian architect and theorist Alberti epitomises the reawakening of classical architecture in the Renaissance period, and how it relates to the context of Humanist learning at that time. We will examine the motivations and narrative techniques of the Italian painter and writer Vasari and how his work served to establish a canon of art and artists. 

Learning objectives:

  • To understand how Alberti reimagined classical architecture for the contemporary Renaissance city. 
  • To understand how Vasari used his own experience as an artist to shape his writing about art, and how his canon can be critiqued.
  • To explore the impact of the work of Alberti and Vasari upon later approaches to art.

Teaching Week 3 - Art and the European Enlightenment

This week we will study seminal approaches to art during the European Enlightenment. We will look at two theoretical works: Johann Joachim Winckelmann’s Reflections on the Imitation of Greek Works in Painting and Sculpture and Immanuel Kant’s The Critique of Judgement. We will explore how the work of the German art historian Winckelmann reflects the notion of an idealist classicism, and how it relates to the rediscovery of Ancient Greek heritage during the Enlightenment. We will examine how the work of the German philosopher Kant contributes to debates about aesthetic judgement and the concept of genius.

Learning objectives:

  • To understand how Winckelmann’s writings on the sculpture of ancient Greece and Rome provided a theoretical framework for Neo-classicism.
  • To understand how Kant’s work contributed to debates about aesthetics and the philosophy of art.
  • To understand how Kant’s work fits into wider concepts of formalism in art historical theory. 

Teaching Week 4 - Nineteenth and early twentieth-century modernism

This week we will study the rise of modernism in the nineteenth century and early twentieth centuries. We will look at extracts from Charles Baudelaire’s The Painter of Modern Life and Jacques Derrida’s Restitutions of the Truth in Pointing. We will explore how the work of the French poet and art critic Charles Baudelaire reflects upon the purpose of art and the role of the artist. We will also look at the impact of Baudelaire’s art historical criticism upon later art theory and practice. We will examine the work of French philosopher Jacques Derrida, including his response to the work of Immanuel Kant, and his own contribution to the analysis and understanding of the visual arts.

Learning objectives:

  • To understand how Baudelaire’s art historical criticism contributed to the development of modernism.
  • To understand how Baudelaire’s writings were responded to in later art theory and practice.
  • To understand how Derrida’s discussion of one of Van Gogh’s Boots paintings highlights the difficulties of specifying the referent in a work of representation.

Teaching Week 5 - The New Art Histories

This week we will study new approaches to Art History that emerged following World War II, which challenge previous traditional approaches. We will look at two examples of ‘New Art History’: Feminist Art Theory and Postcolonial Theory. We will analyse the seminal essay by American art historian Linda Nochlin, Why have there been no great women artists?, to see how it dismantles the concept of greatness and the male-centric genius in art. We will examine Globalization and its Discontents by American art historian Donald Preziosi to see how Art History can be broadened to incorporate a wider geographical context. Both of these approaches will be considered with reference to specific works of art.

Learning objectives:

  • To understand how Feminist Art Theory can be used to critique the traditional canon.
  • To explore the relationship between Feminist Art Theory and Feminist Art.
  • To understand how Postcolonial Theory can help us to understand colonial contexts for art and display. 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
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31545

Read more at: Learning and memory in the brain

Learning and memory in the brain

Short description: 

Find out what happens in the brain when we learn and create memories, and why we shouldn’t always trust everything we remember. By understanding our brains better, we can find ways to help improve these processes, at any stage of our lives. During the course, you will find out how memories are stored in the brain, how this process can go wrong, and what changes in the brain as you age. Using research from psychology and neuroscience, we will also cover tips and tricks to help you make the most of your memory.

Type ref: 
Course code: 
2526NOE031
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course ID: 
31606
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
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Twin capacity: 
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Maximum places: 
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Course information
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Aims of the course:

  • Improve understanding of what the neuroscience and psychology of learning and memory can (and can’t) tell us.
  • Raise awareness of how the brain changes throughout life and how this affects our behaviour.
  • Help develop strategies that can be used at home to improve learning & memory.

Learning outcomes:

As a result of the course, within the constraints of the time available, students should be able to:

  • Know what happens in the brain when we learn.
  • Recall what psychological studies have taught us about learning & memory, and their limits.
  • Understand how the brain changes as we grow and age.
  • Use this understanding to improve the efficiency of their learning & memory.

Target audience:

  • Anyone with an interest in the brain, learning and memory. Teachers, parents, those with elderly relatives. 

Course content overview:

Research in Psychology and Neuroscience progresses rapidly; we discover more about how we learn and how our memories work. This online course will provide a guided tour through the brain, looking at the changes that occur on a cellular level when we learn new information or store a memory. We will examine the way the brain changes from child to teenager to adult, and how these affect the way we learn and remember information. By understanding more about the way memories are stored and recalled, we can explore different ways to help improve this process, at any stage of our lives. 
The study of how learning happens in the brain is a popular emerging field, but it is filled with misinformation. The course will tackle common misconceptions and look at ways in which we can use our understanding of the brain, as well as the tricks psychological research has uncovered, to help everyone learn more quickly and efficiently. We will finish with a practical session covering memory tricks and exercises anyone can use to learn and remember information more effectively.

Schedule (this course is completed entirely online):

Orientation Week: 27 October 2 November 2025

Purpose/Learning outcomes: By studying this week the students should have:

  • Become familiar with navigating around the VLE and from VLE to links and back
  • Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning Helpdesk
  • Learnt how to look for, assess and reference internet resources
  • Used forums to introduce themselves to other students
  • Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies and also to respond to News item sent out on behalf of tutor

Teaching Weeks: 3 November-7 December 2025

Week 1 Learning in the brain

Purpose: To introduce students to the neuroscience of learning and memory, and our limitations in its understanding. We will cover the reconstructive nature of memories, false memories, and their implications. By studying this week the students should have:

  • Understood what neurons and synapses are, and their role in memory formation.
  • Know the main brain regions implicated in memory and learning.
  • Learnt that memory is fallible and changeable, and thought about what this means for e.g. eyewitness testimony.

Week 2 Types of memory

Purpose: To discuss the distinctions that can be made between different types of memory, and their usefulness. By studying this week the students should have:

  • Understood the difference between short term and long term memories.
  • Explored different types of long term memory, including explicit and implicit, and the brain regions involved.
  • Looked at how recall and recognition memory differ. 

Week 3 Brain changes through the ages

Purpose: To cover the way the brain changes as we progress from babies to children, teens, and adults and as we age. We will explore how these changes impact our ability to learn at each stage in our life. By studying this week the students should have:

  • Understood how the infant’s brain is primed for learning, and how different abilities mature at different times. Examined the evidence for critical periods in human learning. 
  • Looked at the teenage brain, and its implications for teen behaviour.
  • Gained knowledge about healthy aging, and the brain and behaviour changes associated with it.

Week 4 Memory problems

Purpose: To cover a variety of conditions that can affect memory, including traumatic brain injury, stroke and dementia. We will look at the portrayal of amnesia in the media and its accuracy and discuss what happens in the brain to cause these symptoms. By studying this week the students should have:

  • Understood that damage to different areas of the brain can cause different types of memory problem.
  • Looked at psychological causes of amnesia and the controversies surrounding them.
  • Covered childhood amnesia, and our limits in explaining it. 
  • Become aware of the limits in our understanding of dementia, and the direction future research is likely to take. 

Week 5 Brain Boosts

Purpose: To provide practical, science-based tips and tricks that students can use in their daily lives to help improve their memory and learning. By studying this week the students should have:

  • Understood that psychology, not neuroscience, currently provides us with the most practical guidance.
  • Tried a variety of memory boosts to determine which work best for them, and thought about how they could apply them in their lives.
  • Analysed how the information they have learnt in the course can help make them better learners. 

Feedback Week: 8-14 December 2025

Purpose:
•    Assessment of student learning
•    Assessment of student satisfaction 
•    Encouragement of further study
 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

Certificate of Participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say:

"I’ve really enjoyed the course. Ginny, you have made quite complex topics really clear and easy to understand. The quality of your weekly presentations have been excellent and I’ve benefited from being able to work at my own pace. Additionally, the reading lists have been helpful in expanding my understanding of topics."

"Thank you for this great course Ginny. I enjoyed it all... It was good to be able to try live experiments on ourselves too!"

"Ginny responded so well to our forum answers and questions and even supplied further material on it. Ginny made the course really interesting and understandable."

"The course was well structured, thorough and well-presented and the tutor engaged in conversations, sharing her opinions and insights."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

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Fees and financial support
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Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31549

Read more at: Copywriting: getting started

Copywriting: getting started

Subject ref: 
Type ref: 
Course code: 
2526NOE030
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course tutor id: 
10057
Course ID: 
31605
Tuition fee: 
£525
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
15
Booked places: 
0
Course cancelled: 
false
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Tutor
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tab1name: 
Overview
tab1html: 

Aims of the course

  • To explore a range of copywriting styles and techniques and how these can be applied across mediums such as websites, blogs, emails and social media pages. 
  • To develop students’ abilities as effective and engaging copywriters.
  • With a focus on multiple, short writing exercises, the course will give students the opportunity to learn and apply the fundamental techniques of copywriting.

Course content overview

  • This online course introduces the craft of copywriting, with a focus on techniques that can be applied across a range of channels and formats.
  • Participants will be taught the principles of writing clear and compelling copy via a series of weekly short writing exercises. Feedback from the tutor will be available throughout the course. 
  • This course will examine the threats and opportunities posed by generative AI and will explore the human copywriter’s role in the business of the future.
  • Participants will be taught the basic principles of search engine optimisation (SEO) and how these apply to digital copywriting.

Target audience

  • People who are looking for their first job in copywriting.
  • New copywriters who want to improve their skills.
  • People who are interested in becoming freelance copywriters.
  • People who are working in related disciplines (e.g. marketing, journalism), and want to add copywriting to their skill sets.
  • Career changers who wish to explore copywriting.

Schedule (this course is completed entirely online)

Orientation Week: 27 October-2 November 2025

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

Teaching Week 1 - Writing for readability and accessibility

This week will introduce the principles of readability and accessibility, and to explain why these are the starting points for writing user-friendly copy.

Learning objectives:

  • To understand the need for copy to be easy-to-read, and accessible to a wide audience.
  • To learn about using short words, in short sentences, in short paragraphs.
  • To practise using some readability tools.
  • To explore the role of text formatting in making copy accessible.
  • To read several best practice copy examples and discussed with the group.
  • To complete a short readability exercise (around 300 words), with feedback from the tutor.

Teaching Week 2 - Writing words that sell

This week we will look to understand the role of copy in driving sales and other user actions, and to explore a range of copywriting frameworks.

Learning objectives:

  • To understand the difference between sales copy and editorial content.
  • To work through a range of copywriting frameworks designed to motivate users.
  • To consider the impact of tone and style.
  • To explore the role of power words and verb phrases in writing sales copy.
  • To practise writing clear calls to action.
  • To write a website landing page (around 400 words) with editorial feedback from the tutor.

Teaching Week 3 - SEO copywriting

This week we will learn the basic principles of search engine optimisation (SEO) in order to write copy that ranks for relevant search terms.

Learning objectives:

  • To learn about how search engine algorithms rank web pages.
  • To understand the principle of topical authority, and how web content needs to be organised to reflect this.
  • To practise researching and grouping keywords.
  • To explore the structural elements of pages that rank well in search results, including meta title and description.
  • To complete a page optimisation exercise.

Teaching Week 4 - AI: friend or foe?

This week we will explore the impact of the recent explosion in generative AI technology on the art form of copywriting. We will consider and discuss the role of the human copywriter in an increasingly AI-powered business world.

Learning objectives:

  • To learn about the threats and opportunities posed by generative AI.
  • To explore ways in which ChatGPT and other tools can assist in research and idea generation.
  • To examine the limitations and risks of generative AI and discussed with the group.
  • To complete an AI-editing exercise (around 500 words) and discussed the process with the group.

Teaching Week 5 - Multi-channel copywriting

This week we will explore how to apply the principles of good copywriting across a range of channels and formats.

Learning objectives:

  • To learn how to match a message to its audience.
  • To consider which channels are best suited to which audience groups.
  • To explore how to tailor a message to resonate with the right people, in the right place, at the right time.
  • To consider how written copy, imagery and video can all work together to communicate a message.
  • To create a mini-campaign to promote a product or service via a web page, email, and social media post (around 600-700 words in total), with editorial feedback from the tutor.

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees & concessions
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31557