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Institute of Continuing Education (ICE)

 
Read more at: User Experience Design

User Experience Design

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Course code: 
2526NOE049
Start date: 
Monday, 5 January, 2026 - 00:00 to Sunday, 22 February, 2026 - 00:00
Apply by: 
Monday, 5 January, 2026 - 00:00
Course tutor id: 
9783
Course ID: 
31622
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
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Overview
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Aims of the course

  • To gain knowledge of the principles of User Experience (UX) Design
  • To develop awareness about UX Design methods and tools
  • To understand the importance of empathy in UX Design
  • To experiment how to creatively build ideas and tell compelling stories
  • To develop a user-centred, inclusive mindset applicable in both personal and working life
  • To connect with a group of like-minded colleagues and UX Design leaders from major worldwide businesses

Target Audience

  • Those interested in learning more about design thinking, creativity, innovation, and storytelling
  • Those considering becoming User Experience Designers or approaching User Experience Research
  • User Experience Designers and User Experience Researchers in training
  • No prior UX Design experience is necessary, although participants would normally be working within organisations or working professionally with organisations.

Course content overview

Nowadays, in a time everyone is required to continuously acquire new skills, it is extremely relevant to make sure that we understand the importance of having a user-centred, inclusive mindset, what being a UX Designer means and what tools are available to efficiently craft meaningful experiences.

This course will emphasise the central role of thinking creatively with empathy, and the importance of understanding different methods to approach problem solving, innovation, and establish a working practice that helps to craft inclusive experiences.

The UX Design course will stress the importance of inclusion and diversity in the creative process, storytelling, pitching and advocating about ideas to influence peers by delivering inclusive experiences across different countries.

With this course participants will be able to transition in to UX Design roles, approach life with a more empathetic, inclusive attitude, and infuse the UX Design mindset to colleagues and friends.

Schedule (this course is completed entirely online)

Orientation Week: 5-11 January 2026

Teaching Weeks: 12 January-15 February 2026

Feedback Week: 16-22 February 2026

Teaching Week 1 - Introduction to UX Design: the importance of meaningfully connecting with people

The focus of this week is to explore what UX Design is, the relevance of connecting with people and the overall core skills of a User Experience Designer.

Learning outcomes

By studying this week, participants should have:

  • Knowledge and understanding of the principles of UX Design
  • Knowledge and understanding of the importance of connecting with people according to the principles of inclusion, diversity, and equity 
  • Taken part in a practice session with a fellow participant to experiment how to meaningfully connect with other individuals

Teaching Week 2 - The relevance of UX Design: approach, methods and applications

The focus of this week is to comprehend the approach and available methods and to familiarize with them across multiple applications in different scenarios  

Learning outcomes

By studying this week, participants should have:

  • A deeper understanding of UX Design approach and methods
  • Knowledge and ability to clearly justify how and when to use methods, according to project goals, timing and budget
  • Taken part in a learn by doing session with a fellow participant with a practical challenge

Teaching Week 3 - Deep dive into UX Design methods and tools: WWWWWH, what, who, where, when, why and how

This week will deep dive into methods and tools and will explore the “what, who, where, when, why and how” of UX Design by helping participants to recognize which tool fits best their specific goals in collaboration with co-workers.

Learning outcomes

By studying this week, participants should have:

  • Knowledge and understanding of the methods and tools and their applicability
  • Learnt how to apply tools and methods sessions through applied exercises
  • Knowledge and understanding of how to prioritise choices for creating inclusive experiences

Teaching Week 4 - Industry case studies

The focus of this week is to illuminate participants with case studies and allow them to discover how to apply user-centred research  into user-centred design and create inclusive products and services.

Learning outcomes

By studying this week, participants should have:

  • Greater awareness on how to communicate ideas, the art of storytelling and to influence peers and customers with compelling stories that evoke emotions
  • Deeper understanding of the mindset, the job as a UX Designer in a large organization
  • Understanding on how to connect with companies and what to offer for a possible career change or new job opportunity in UX Design

Teaching Week 5 - Becoming a UX Designer: opportunities and challenges

This final teaching week focuses on the practical aspects of becoming a UX Designer, what are the opportunities offered in the market, what are the challenges and how to get ready to land a job in the UX Design market

Learning outcomes

By studying this week, participants should have:

  • Knowledge and understanding of the practical aspects of being a UX Designer
  • Understanding the importance of a portfolio, the benefit of being a UX Designer, and how the job market is eager to recruit UX Designers
  • Grasp the significance of UX Design in several business sectors and job market dynamics
  • Reflections from industry case studies 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

"An excellent overview of the principles of UX Research and UX Design! I’ve gained a broader awareness of the importance of inclusive design (as a universal human right); Deiter Ram’s 10 principles for good design; the UXPA Code of Professional Conduct which can be applied to a wide range of purposes and cross-disciplines; the UX Research Tools Map which contains many new/different tools I’m excited to explore further; and an abundance of other new resources and tools!"

"I have gained a deeper understanding of the ideologies of user experience design. I have learnt that UX design that disregards people, is in return overlooked. Moreover, creating good UX design is about putting the consumer first, so question everything. Also, for brand loyalty and greater revenue, it is imperative that the Who? What? Where? When? Why? How? (WWWWWH) method is implemented. This strategy will allow one to identify the user’s needs so that a useful and user-friendly product is constructed and released into the market."

"I have learnt a great overview of what UX Design is and all the resources that are out there to help. I found the additional articles and videos very helpful and would say that I have watched or read 90% of them and have noted them all for future reference."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
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2
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3
Course Image version: 
2
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Canonical Course ID: 
31591

Read more at: A Knight in Borrowed Armour: an introduction to Spenser's 'The Faerie Queene'

A Knight in Borrowed Armour: an introduction to Spenser's 'The Faerie Queene'

Subject ref: 
Type ref: 
Course code: 
2526NOE050
Start date: 
Monday, 5 January, 2026 - 00:00 to Sunday, 22 February, 2026 - 00:00
Apply by: 
Monday, 5 January, 2026 - 00:00
Course ID: 
31623
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
20
Booked places: 
0
Course cancelled: 
false
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tab1name: 
Overview
tab1html: 

A knight in shining armour, a damsel in distress, a quest to slay a dragon: on the face of it, as simple and familiar a story as could be.  But in Edmund Spenser’s Elizabethan epic poem, The Faerie Queene, one of the greatest and most influential works in all of English literature, there is always more to be discovered than initially meets the eye.

Aims of the course

  • To introduce students to critical study of Edmund Spenser’s The Faerie Queene, through a complete reading of Book One and a glance forward at key episodes from Book Two.
  • To provide students with the basic historical and literary context needed to understand and appreciate Spenser’s poetry.
  • To inspire students with confidence and enthusiasm for reading more of this enjoyable and thought-provoking poem for themselves.

Course content overview

  • A knight in shining armour, a damsel in distress, a quest to slay a dragon: on the face of it, this looks like as simple and familiar a story as could be. But in Edmund Spenser’s great Elizabethan epic poem, The Faerie Queene, there is always more to be discovered than initially meets the eye. Indeed the experience of getting to grips with Spenser’s masterpiece is comparable to taking part in a rich archaeological dig, unearthing stratum after stratum of ancient treasure. For The Faerie Queene not only draws abundantly on the rich medieval tradition of Arthurian chivalric tales with their intriguing elements of Celtic magic, but at the same time sinks foundations into the literature and philosophy of classical Greece and Rome, by way of the Italian Renaissance; and to these diverse elements it brings a distinctive imaginative vision and critical intelligence that make this one of the greatest and most influential works of English poetry.
  • In this course, we will read and explore the whole of Book I of The Faerie Queene – a complete story in its own right, which in retelling the popular medieval legend of St George the dragon slayer, also makes of that old tale something fascinatingly new, full of surprising narrative turns and unexpected depths.  On the one hand this is a story resonant with timeless themes – good and evil, error and forgiveness – but on the other hand it is sharply focused on its own historical moment: on the England of Elizabeth I, a newly Protestant nation surrounded by powerful enemies and urgently in need of an inspiring national myth.
  • Having read closely through Book I, the essential opening movement of this great symphonic poem, we will also consider how it fits into the poem’s larger plan, with a look forward at key episodes from Book II.
  • The Faerie Queene, a major influence on later English writers from Milton through the Romantics and beyond, still has the power to surprise, enchant, and inspire. Let’s get started on our quest of discovery!

Target audience

  • Anyone who is interested in reading The Faerie Queene with greater understanding and enjoyment.
  • Anyone wanting to establish a basis for further study of Spenser's poetry and/or of Elizabethan literature more widely.

Set Text

The recommended set text for the course is:
Edmund Spenser's Poetry: A Norton Critical Edition.  Fourth edition.  Edited by Andrew D. Hadfield and Anne Lake Prescott.  W. W. Norton and Company, 2014.

Schedule (this course is completed entirely online)

Orientation Week: 5-11 January 2026

Teaching Weeks: 12 January-15 February 2026

Feedback Week: 16-22 February 2026

Teaching Week 1 - Epic Romance (core reading: Letter to Raleigh, The Faerie Queene Book One proem and cantos 1-2)

In The Faerie Queene, Spenser presents himself as Elizabethan England’s epic poet, setting out to achieve in English what Homer had done in Greek and Virgil in Latin. But his Renaissance rendering of the classical epic form is profoundly influenced by intervening medieval literary tradition of chivalric romance, with its heroic tales of “knights’ and ladies’ gentle deeds”. We begin our quest to understand the poem by looking at its hybrid form, ‘epic romance’, seeing how it shapes the poem as a whole, its episodes, and its verse.

We will start by looking at Spenser’s own accounts of the overall shape and aims of his poem, both in the prefatory opening stanzas of the poem (the ‘proem’), and in the explanatory letter to his patron Sir Walter Raleigh that was published with the first edition of The Faerie Queene. We will then consider to what extent those accounts are realised or called into question in the narrative experience of reading the poem.

In particular, we will see how Spenser’s declared aim of writing an edifying tale of epic or chivalric heroism comes into question from the outset, as the supposed hero and heroine of Book One promptly go astray, their simplistic chivalric value system proving inadequate to understanding the complicated and deceptive world which they encounter, making them easy targets for duplicitous enemies that prey on their naive ideas about themselves and their mission. More disorientating still, we as readers are slyly led astray with them, thus forcing us to confront not only their errors but our own.

Learning objectives:

  • To learn why Spenser evoked the classical epic and medieval chivalric traditions in writing his heroic poem.
  • To examine how the ideas of ‘epic poetry’ and ‘chivalric romance’ shape the poem as a whole, its episodes, and its verse form.
  • To explore the way the opening two cantos of Book One engage our interest and challenge our expectations

Teaching Week 2 - Allegory (core reading: The Faerie Queene Book One, cantos 3-5)

As well as an epic poem and a tale of knightly deeds, Spenser famously describes The Faerie Queene as “a continued allegory, or dark conceit”; but what does it mean in practice that the poem is an ‘allegory’, rich in hidden meaning? This can be one of the most difficult questions for its readers to grapple with, one that has led to many misunderstandings, and has even seemed to some to threaten to spoil the magical pleasure of immersing ourselves in its fantastical story world.

This week we will try to address some of these difficulties by showing that looking for ‘allegorical meaning’ need not be a dry exercise of translating stories into terms extrinsic to them, but rather was an intrinsic feature of the enchanting strangeness of certain medieval stories, not least The Faerie Queene’s important predecessor, the 13th-century prose Quest of the Holy Grail. Spenser draws on the medieval heritage of allegorical chivalric romance to fascinating and expert effect, in placing his protagonists within a magically strange and intriguing world perilously pregnant with double meanings.

We will look in detail at the various ways the poem tempts us to read ‘allegorically’ in the House of Pride episode (cantos iv-v), asking, why are we confronted here with alternative and apparently incompatible ways of reading, and do some of these help us to understand the story most clearly than others?

Learning objectives:

  • To encounter the difficulties presented by the demand that we read The Faerie Queene ‘allegorically’.
  • To learn about the various uses of allegory in medieval and Renaissance literature and seen how Spenser draws on these traditions.
  • To interpret an important and challenging ‘allegorical’ episode of the poem.

Teaching Week 3 - Storytelling (core reading: The Faerie Queene, Book One, cantos 6-8)

This week we will begin by looking closely at the story of the heroine’s hapless wanderings after she is separated from her knight (cantos iii & vi). We will see in particular how the poet draws attention here to his own role as a storyteller, spinning his tale in such a way as to maximize sympathy and suspense, and playfully exploring the strong expectation of rescue that is intrinsic to the ‘damsel in distress’ type of story.

We will see how this sort of artfully self-conscious storytelling voice derives from yet another important influence on Spenser’s poem, the chivalric epic poets of the Italian Renaissance, especially Ariosto. We will see how, in Spenser’s hands, this sophisticated and ludic mode of storytelling contributes to a wider sense in these episodes of lost moral bearings and aimless wandering, and we will follow the heroine’s faltering attempts to find a way out of the resulting narrative wilderness.

We will then move on to canto vii, in which a satisfactory rescuer finally appears in the person of Prince Arthur, who saves both heroine and hero, reunites them, and sets them back on course to finish their quest.  We will see how this transformative moment in the story is associated with a decisive seizing of storytelling initiative by the good characters themselves, who from this point assume responsibility for shaping their own narrative.

Learning objectives:

  • To understand the sophistication of Spenser’s storytelling voice, and explored the purposes to which it is put.
  • To look closely at the way the poem’s characters themselves act as storytellers, and what effects this has.

Teaching Week 4 - Reformation (core reading: The Faerie Queene, Book One, cantos 9-10)

The first two thirds of Book One have shown us a protagonist who falls woefully short of being ready to play his destined role as St George the Dragon Slayer. Now, in canto 9, he must starkly confront his own failings, as well as the question of how he can hope to close the gap between the thoroughly wayward man he has been and the heroic knight he is called on to become.

The business of these cantos is not only to show the moral and spiritual reformation of the book’s hero, but to set forth a particular vision of what ‘reformation’ means – a vision both markedly Protestant and markedly nationalistic in character, and brilliantly in step with the mythic needs of the Elizabethan regime. Along the way, it sets out to reform a wayward chivalric ethos, wayward devotional forms, and wayward ideas about what makes a ‘saint’, reclaiming all these for the service of a godly state.

As a counterpoint to these developments, we also encounter here Prince Arthur’s story of his own more secular reformation, in which a naive sense of knightly self-sufficiency yields to loving service of the Fairy Queen, Gloriana.  This inset story, which from one point of view looks like a mere interlude, from another perspective is nothing less than our first glimpse of the wider framing narrative around which the whole poem is ostensibly organized.  But does this charming fairy tale of Arthur’s chivalric reformation wholly align with the grander narrative of spiritual reformation that shapes this key part of Book One, or does it also tends to raise certain doubts about that whole grand story?

Learning objectives:

  • To see how the idea of moral and spiritual ‘reformation’ shape the story at a crucial juncture.
  • To place Spenser’s poem theologically and historically in relation to the Protestant Reformation in England.
  • To consider closely the way Spenser reclaims medieval materials and makes them serve new purposes.

Teaching Week 5 - Unfinished Business (core reading: The Faerie Queene, Book One, cantos 11-12, plus selected passages from Book Two, cantos 1 & 12)

“High time”, says the narrator, for the hero to get on with his appointed task of slaying the dragon. But this is to be no ordinary battle: rather a three-day set piece shaped by apocalyptic imagery and resonant with the themes of salvation and damnation. How has the poem prepared us for this moment, and what in the end does it all mean? We will see how this climactic episode not only updates an old saint’s legend to align it with the poem’s vision of Christianity, but achieves a certain ‘archetypal’ clarity in its own right.

And yet… even after this seemingly conclusive fight, there still remains the book’s final canto, to confront readers with a surprising amount of unfinished business. For one thing, there is the love plot to tie up by way of the betrothal of the hero and heroine – and this will prompt us to think about the distinctive role of love and marriage in Spenser’s poem. But beyond this, a whole new set of last-minute obstacles are thrown in the way of the anticipated marriage, as though the poet is determined to postpone indefinitely a ‘happily ever after’ ending. Is this just a narrative device to keep us reading the poem beyond Book One? Perhaps in part; but then, why does the poem keep going beyond Book One in the first place? What can be left to do or say? We will read on with curiosity, glancing ahead at the opening and closing cantos of Book Two, to get an inkling of how many more surprises are still to come from this fascinating poem.

Learning objectives:

  • To look closely at how Spenser handles the first book’s climactic episode and its aftermath.
  • To give consideration to the important Spenserian theme of love and marriage.
  • To think about the unfinished nature of the story in Book One, and explored the role of this opening book within the wider poem.

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
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1
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2
tab3order: 
3
Course Image version: 
2
Study level ref: 

Read more at: Ethical AI: AI essentials for everyone

Ethical AI: AI essentials for everyone

Type ref: 
Course code: 
2526NOE048
Start date: 
Monday, 5 January, 2026 - 00:00 to Sunday, 22 February, 2026 - 00:00
Apply by: 
Monday, 5 January, 2026 - 00:00
Course ID: 
31621
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To comprehend the fundamental concepts and principles of ethical AI.
  • To critically analyse the ethical implications of AI technologies on individuals and communities.
  • To explore real-world examples highlighting ethical challenges in AI applications.
  • To discuss and develop strategies for promoting fairness, transparency, and accountability in the AI rapidly evolving scenario.
  • To gain insights into diverse perspectives on AI ethics and how to responsibly use AI tools.

Target audience

  • Individuals interested in exploring the ethical dimensions of AI and considerations in its technology development.
  • Professionals looking to expand their knowledge on AI ethics and usage of AI tools.
  • Individuals from any discipline where AI is applicable and who are interested in understanding its ethical implications.
  • Those interested in policymaking, regulation, and social impact of AI technologies.

Course content overview

Artificial Intelligence (AI) has become an integral part of our daily lives. However, its omnipresence brings forth complex ethical issues revolving around safety, intellectual property, privacy, and responsible use. This introductory course aims to provide a comprehensive overview of these issues, fostering constructive discussions and exploration of ethical AI principles, challenges, and best practices while experimenting with tools and prompting new ways to generate content.

The goal of the course is to inspire learners to use AI responsibly, delving into AI essentials, ethical implications, and real-world applications. Through case studies, practical exercises, and engaging forum discussions, students will sharpen their critical thinking skills and effectively navigate the ethical complexities of generative AI by exploring new tools and their applications.

Schedule (this course is completed entirely online)

Orientation Week: 5-11 January 2026

Teaching Weeks: 12 January-15 February 2026

Feedback Week: 16-22 February 2026

Teaching Week 1 - Introduction to ethical AI

This week aims to lay the groundwork for understanding the historical context and evolution of AI and ethics. The week explores the definitions of AI, Machine Learning, and related technologies, setting the stage for a deep dive into the ethical dimensions of AI.

Learning objectives:

  • To gain insight into the historical context and evolution of AI and its ethical considerations.
  • To define key terms such as AI, Machine Learning, and related technologies.
  • To participate in forum discussions exploring the ethical considerations of AI tools for prompt engineering.

Teaching Week 2 - Key principles of ethical AI

This week aims to deepen the understanding of the key principles of Ethical AI, focusing on fairness, accountability, transparency, safety, and privacy in AI systems. The week also delves into the ethical decision-making processes inherent in AI.

Learning objectives:

  • To develop a comprehensive understanding of the key principles of Ethical AI.
  • To explore the application of these principles across various scenarios.
  • To engage in forum discussions, sharing experiences and thoughts on different personal use cases of AI tools.

Teaching Week 3 - AI tools discovery

In this week the focus is on delving into AI tools for text and image generation, understanding their functionalities, and guiding participants in choosing the right tool based on specific goals. The week includes an activity where students create a personal repository of AI tools and rank them based on ethical and effective criteria.

Learning objectives:

  • To acquire knowledge and understanding of various AI tools for text and image generation, along with their applicability.
  • To learn to apply tools through a-sync exercises and discussion.
  • To develop the ability to prioritise tools and chose the most appropriate, depending on individual needs.

Teaching Week 4 - Ethical prompt engineering

This week is dedicated to shedding light on case studies that demonstrate the ethical application of different prompts, offering participants insights into employing user-centred approaches to create inclusive, accessible, and useful content.

Learning objectives:

  • To analyse and understand various case studies, gaining proficiency in the ethical application of diverse prompts within AI.
  • To acquire the skills to craft content that is inclusive, accessible, and serves a practical purpose in AI applications.
  • To participate in forum discussions, demonstrating critical thinking abilities regarding the ethical considerations associated with AI, particularly in the context of prompt engineering.

Teaching Week 5 - Living with AI: challenges and opportunities

This week is dedicated to navigating the landscape of AI challenges and opportunities. It aims to explore the potential of AI for creating new job opportunities, enhancing efficiency, and preparing individuals for a career in a world increasingly shaped by AI systems.

Learning objectives:

  • To develop a comprehensive understanding of AI's potential for generating new job opportunities and improving efficiency.
  • To prepare for entering a job market increasingly influenced by AI systems.
  • To engage in forum discussions to discuss the future of AI, its challenges, and the abundant opportunities it presents.

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31590

Read more at: Approaches to Western Art History

Approaches to Western Art History

Short description: 

image: Seagull, 2006, installation at Kumu Art Museum, Tallinn, Estonia. Photo: A.Koutny-Jones

Type ref: 
Course code: 
2526NOE047
Start date: 
Monday, 5 January, 2026 - 00:00 to Sunday, 22 February, 2026 - 00:00
Apply by: 
Monday, 5 January, 2026 - 00:00
Course tutor id: 
9443
Course ID: 
31620
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To explore key theorists of art from classical antiquity to the modern era. 
  • To examine specific texts produced by seminal theorists, and to begin to make connections between them.
  • To analyse theoretical texts about art by contextualising and critiquing them. 

Learning outcomes

  •  To understand the development of theoretical approaches to Art History from classical antiquity to the modern era.
  •  To demonstrate a knowledge of key primary sources and theoretical texts relevant to the study of Western art in particular.
  •  To think critically about written sources relating to Art History and make comparisons between them.

Course content overview

In this course we will explore how art has been written and thought about from classical antiquity to the modern era. By considering primary source texts as well as works of criticism, we will gain an understanding of the historiography and theory of Art History. Topics will include debates about art and architecture in the classical world; Renaissance approaches to art and architecture; art and the European Enlightenment; nineteenth and early twentieth-century art theory; and the New Art Histories. We will also consider how theoretical texts relate to artistic practice, and how approaches to Art History are expected to evolve in the future.

Schedule (this course is completed entirely online)

Orientation Week: 5-11 January 2026

Teaching Weeks: 12 January-15 February 2026

Feedback Week: 16-22 January 2026

Teaching Week 1 - Debates about art and architecture in the classical world

This week we will study seminal approaches to art and architecture in classical antiquity. We will look at two primary sources: Plato’s Republic and Vitruvius’s De architectura libri decem (The Ten Books on Architecture). We will begin by exploring the argument made by the Ancient Greek philosopher Plato that artistic production constitutes a mere imitation of reality, and is therefore a process of which we ought to be wary. We will then consider the key arguments made in the architectural treatise of the Roman architect and engineer Marcus Vitruvius Pollio, the only surviving writing on architecture from classical antiquity, and examine the impact this had upon later generations of architects.

Learning objectives:

  • To understand Plato’s theory of forms and how this relates to debates about the value of art.
  • To understand the elements which Vitruvius considered to be necessary for a well-designed building: firmness, commodity and delight. 
  • To explore the impact of the work of Plato and Vitruvius upon later approaches to art.

Teaching Week 2 - Renaissance approaches to art and architecture

This week we will study seminal approaches to art and architecture in the Renaissance period. We will look at two primary sources: Leon Battista Alberti’s De re aedificatoria (On the Art of Building) and Giorgio Vasari’s Le Vite de' più eccellenti pittori, scultori, e architettori (Lives of the Most Excellent Painters, Sculptors and Architects). We will explore how the work of the Italian architect and theorist Alberti epitomises the reawakening of classical architecture in the Renaissance period, and how it relates to the context of Humanist learning at that time. We will examine the motivations and narrative techniques of the Italian painter and writer Vasari and how his work served to establish a canon of art and artists. 

Learning objectives:

  • To understand how Alberti reimagined classical architecture for the contemporary Renaissance city. 
  • To understand how Vasari used his own experience as an artist to shape his writing about art, and how his canon can be critiqued.
  • To explore the impact of the work of Alberti and Vasari upon later approaches to art.

Teaching Week 3 - Art and the European Enlightenment

This week we will study seminal approaches to art during the European Enlightenment. We will look at two theoretical works: Johann Joachim Winckelmann’s Reflections on the Imitation of Greek Works in Painting and Sculpture and Immanuel Kant’s The Critique of Judgement. We will explore how the work of the German art historian Winckelmann reflects the notion of an idealist classicism, and how it relates to the rediscovery of Ancient Greek heritage during the Enlightenment. We will examine how the work of the German philosopher Kant contributes to debates about aesthetic judgement and the concept of genius.

Learning objectives:

  • To understand how Winckelmann’s writings on the sculpture of ancient Greece and Rome provided a theoretical framework for Neo-classicism.
  • To understand how Kant’s work contributed to debates about aesthetics and the philosophy of art.
  • To understand how Kant’s work fits into wider concepts of formalism in art historical theory. 

Teaching Week 4 - Nineteenth and early twentieth-century modernism

This week we will study the rise of modernism in the nineteenth century and early twentieth centuries. We will look at extracts from Charles Baudelaire’s The Painter of Modern Life and Jacques Derrida’s Restitutions of the Truth in Pointing. We will explore how the work of the French poet and art critic Charles Baudelaire reflects upon the purpose of art and the role of the artist. We will also look at the impact of Baudelaire’s art historical criticism upon later art theory and practice. We will examine the work of French philosopher Jacques Derrida, including his response to the work of Immanuel Kant, and his own contribution to the analysis and understanding of the visual arts.

Learning objectives:

  • To understand how Baudelaire’s art historical criticism contributed to the development of modernism.
  • To understand how Baudelaire’s writings were responded to in later art theory and practice.
  • To understand how Derrida’s discussion of one of Van Gogh’s Boots paintings highlights the difficulties of specifying the referent in a work of representation.

Teaching Week 5 - The New Art Histories

This week we will study new approaches to Art History that emerged following World War II, which challenge previous traditional approaches. We will look at two examples of ‘New Art History’: Feminist Art Theory and Postcolonial Theory. We will analyse the seminal essay by American art historian Linda Nochlin, Why have there been no great women artists?, to see how it dismantles the concept of greatness and the male-centric genius in art. We will examine Globalization and its Discontents by American art historian Donald Preziosi to see how Art History can be broadened to incorporate a wider geographical context. Both of these approaches will be considered with reference to specific works of art.

Learning objectives:

  • To understand how Feminist Art Theory can be used to critique the traditional canon.
  • To explore the relationship between Feminist Art Theory and Feminist Art.
  • To understand how Postcolonial Theory can help us to understand colonial contexts for art and display. 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31545

Read more at: Introduction to Screenwriting: writing the short film

Introduction to Screenwriting: writing the short film

Type ref: 
Course code: 
2526NOE046
Start date: 
Monday, 5 January, 2026 - 00:00 to Sunday, 22 February, 2026 - 00:00
Apply by: 
Monday, 5 January, 2026 - 00:00
Course ID: 
31619
Tuition fee: 
£525
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
15
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • to give participants an introduction to, and overview of the screenwriting process
  • to equip participants with the knowledge and tools to develop and write a short screenplay following a step-by-step approach
  • to encourage and enable participants to develop their writing skills (in order to write a short screenplay)

Target audience

  • participants new to writing for the screen
  • creative writers from other disciplines looking to learn about screenwriting
  • screenwriters looking to improve their knowledge/understanding of the nuts and bolts of screenwriting

Schedule (this course is completed entirely online)

Orientation Week: 5-11 January 2026

Teaching Weeks: 12 January-15 February 2026

Feedback Week: 16-22 February 2026

Teaching Week 1 - Ideation

By studying this week participants should have:

  • a solid overview of the screenwriting process
  • a knowledge and understanding of how to generate a screen narrative idea
  • an understanding of the function of a premise
  • a knowledge and understanding of how to write a premise
  • an opportunity to write a premise
  • an opportunity to pitch a premise
  • an understanding of how screen narratives differ from other forms of (creative) writing

Teaching week 2 - From premise to outline

By studying this week participants should have:

  • an overview of the meta-elements of a screen narrative: character, theme, and story
  • a knowledge and understanding of how to develop a character by identifying a 'want', 'flaw', and 'need'
  • an understanding of how to write an effective character profile
  • a knowledge and understanding of how to identify and develop a unifying and universal theme within their writing
  • a knowledge and understanding of the ten story types and how to apply them 
  • an understanding of the function of the one-page outline
  • an opportunity to apply the above to the writing of a one-page outline

Teaching week 3 - From outline to step-outline

By studying this week participants should have:

  • an understanding of how to structure a screen narrative
  • a knowledge of the structural frameworks as applied to short film narratives
  • an understanding of how to use Active Questions to structure a screen narrative for audience engagement
  • an overview of visual storytelling
  • an understanding of image systems and visual metaphors
  • an understanding of the function of a step-outline

Teaching week 4 - From step-outline to draft zero

By studying this week participants should have:

  • a knowledge and understanding of the functions of dialogue in a screen narrative
  • an understanding of the functions of subtext in a screen narrative
  • an understanding of the do's and don'ts of writing dialogue
  • an understanding of how a scene works
  • an understanding of how to write an intriguing/engaging opening
  • an understanding of how to utilise setting to enhance tension and atmosphere
  • an understanding of the function of a draft zero short screenplay
  • an opportunity to write and develop a draft zero short screenplay

Teaching week 5 - The rewriting process

By studying this week participants should have:

  • an overview of the rewriting process
  • an understanding of structured rewrites and their function
  • an understanding of the function and process of giving and receiving feedback
  • a knowledge and understanding of how to enhance mood/atmosphere through sound (effects)
  • a knowledge and understanding of how to write effective transitions
  • an understanding of how to stress test a screenplay
  • an understanding of tone

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

"Rick is a excellent tutor- his feed back on my ELLa story was most appreciated- I would take another class from him."

"In the beginning, my primary goal has been to enhance my writing skills and become a better storyteller. Along the way, I have delved into the fundamentals of screenwriting, gaining valuable insights into formatting techniques and the art of crafting a more immersive and well-rounded narrative."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31589

Read more at: Hitler and Nazi Germany

Hitler and Nazi Germany

Short description: 

Adolf Hitler is one of the dominant figures of the 20th century. He and the Nazis changed the lives of most Europeans during his years in power and the consequences of their defeat were far-reaching. This course will explore, among other things, how the Nazis rose to power, their apparent popularity in Germany in the 1930s and Hitler’s determination to unleash a war which led to the death of millions and to genocide.

Subject ref: 
Type ref: 
Course code: 
2526NOE035
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course tutor id: 
305
Course ID: 
31610
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
1
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Purpose ref: 
Study mode ref: 
tab1name: 
Course information
tab1html: 

Aims of the course:

  1.  To provide a narrative of the life and times of Adolf Hitler.
  2.  To explore the reasons why the Nazis came to power in 1933.
  3.  To examine what life was like in Nazi Germany.
  4.  To look at the various forms of resistance to the Nazis and why they failed.
  5.  To discuss the reasons for and the meaning of the Holocaust in the context of the war in the East.

Course content overview:

  • This course aims to give a general narrative of the rise to power of Hitler and the Nazis, exploring why such a party could gain around 34% of the popular vote in 1932. We will look at the features of life in Nazi Germany between 1933 and 1939, and the nature of resistance to the Nazis, before looking at the events which led to WW2 in 1939.
  • The last two units will deal specifically with Nazi policies in Eastern Europe and the Soviet Union, in particular the ethnic cleansing of Poles and Russians in ‘a war of annihilation’ and the ways in which this created the context for the implementation of the ‘Final Solution of the Jewish Question.’
  • There has also been a large amount of new research on the Nazis which has resulted in some impressive new histories and biographies from such people Robert Gerwarth, Ian Kershaw, Peter Longerich and Michael Burleigh, etc. Guiding students towards some of the excellent sources now available will be an important part of this course.

Schedule (this course is completed entirely online):

Orientation Week: 27 October-2 November 2025 

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

 

Week 0 - Preparing to study this course

Purpose/Learning outcomes

By studying this week the students should have:

•Become familiar with navigating around the VLE and from VLE to links and back

•Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning Helpdesk

•Learnt how to look for, assess and reference internet resources

•Used forums to introduce themselves to other students

•Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies and also to respond to News item sent out on behalf of tutor

Week 1 - Kampfzeit: the rise to power, 1918 – 1933

Purpose:

The course will begin by looking at Hitler’s early life and the influences upon him up to and including his service on the Western Front in the First World War. From there we will consider the state of Germany after the defeat of November 1918 and the formation of the National Socialist German Worker’s Party (NSDAP). We will look at the abortive Munich Putsch of 1923 and its consequences, the struggles for power within the Nazi Party and the emergence of Hitler as undisputed ‘Fuhrer’ before considering the ways in which the Depression transformed the political landscape within Germany and how the Nazis exploited this situation to become the largest single party in the Reichstag by 1932. We will end by considering the process by which Hitler became Chancellor in January, 1933. Was it, as Nazi propaganda asserted, a ‘seizure of power,’ or was he manoeuvred into power by non-Nazi forces around him?

 

Topics to include:

  • Hitler’s life until the First World War
  • Defeat and revolution in Germany, 1918-1923
  • The Munich Putsch
  • The ‘wilderness years, 1923-29’
  • Leadership struggles within the Nazi Party
  • Creating the ‘Fuhrer’
  • The effects of the Depression on the Germany economy and society
  • Why and how did the Nazis benefit from the Depression?
  • Manoeuvred into power – January 1933

 

Learning outcomes

By studying this week the students should have:

•An introduction to the early life of Adolf Hitler to 1918;

•Some understanding of the state of Germany in the years after the First World War;

•Some appreciation of the development of, and the struggles within the Nazi Party before 1933;

•Some understanding of why and how Hitler came to power in January, 1933.

Week 2 - Title: Volksgemeinshaft – Germany under the Nazis, 1933 - 1939

Purpose:

This Unit will consider life in Nazi Germany in the 1930s, beginning with the initial measures to establish the régime and neutralize opposition. From there we will look at how the régime won the acquiescence of the majority of the German people by reducing unemployment, providing for a rising standard of living and restoring German power and pride. We will also consider the power of the ‘Fuhrer myth’ and the charismatic role of Hitler both as a method of making the régime popular and as an illustration of the ways in which policy was made in the Third Reich. We will also consider Nazi policies towards specific groups such as women and young people, the power of propaganda and the development of persecution aimed at Jews and other groups deemed by the régime as either a threat or expendable.

 

Topic to include:

  • Establishing the dictatorship
  • Creating the terror state
  • ‘The Night of the Long Knives’
  • Economic miracles
  • The propaganda state
  • Hitler worship
  • The Nuremburg rallies and Leni Riefenstahl
  • Hitler’s Olympics, 1936
  • Nazi art and architecture
  • Nazis and women
  • Nazis and young people
  • The racial state
  • Resistance to Hitler
  • The T4 project – precursors of genocide?
  • Kristallnacht and the persecution of the Jews

 

Learning outcomes

By studying this week the students should have:

•Some insight into how the dictatorship and the ‘terror state’ was established

•Some appreciation of how Nazi policies affected women, young people, the workplace etc

•Appreciated the power of propaganda in moulding opinion and perceptions and the various uses of the ‘Fuhrer myth.’

•Some understanding of the development of racial policies towards the Jews and the significance of the T4 euthanasia project

Week 3 - Deutschland Erwache! The road to war, 1919-1939

Purpose

This unit will concentrate on the study of events in Europe in the 1930s which led to the German invasion of Poland and the outbreak of war in September, 1939. We will begin by looking at the impact of the Treaty of Versailles on Germany in the 1920s, and the opposition the Treaty generated within Germany. On taking power, Hitler soon pursued policies which broke the provisions of the Treaty and we will discuss the reasons why the allies, France and Britain in particular, failed to enforce the Treaty after 1933. From there we will look at the foreign policy successes Hitler achieved in the Rhineland, Spain, Austria and Czechoslovakia, the latter involving the notorious Munich Agreement of 1938. This unit will end by looking at the Nazi-Soviet Pact of August 1939 – why did these two opposing ideologies sign a treaty of friendship and co-operation? The Unit will end by posing the question: did Hitler end up fighting the wrong war in 1939?

 

Topics to include:

  • Germany and the Treaty of Versailles 1919-1933
  • Early steps: the entry into the Rhineland and conscription
  • Hitler’s plans for war
  • Hitler and Mussolini – from adversary to ally
  • Intervention in Spain
  • Appeasement and ‘non-intervention’
  • Anschluss, Austria 1938
  • The Sudetenland and the Munich Agreement
  • The Nazi-Soviet Pact
  • The wrong war?

 

Learning outcomes

By studying this week the students should have:

•Some appreciation of the effects of the Treaty of Versailles on Germany between 1919 and 1933;

•Considered the ways in which Hitler repudiated the Treaty after 1933;

•Some insight into why Britain and France responded with the policy of appeasement;

•An introduction to the narrative of events from Germany’s withdrawal from the Disarmament Conference in 1933 to the occupation of Prague in March 1939.

 

Week 4 - Vernichtungskrieg! A different sort of war, 1939-1945

Purpose

The war that Hitler unleashed in September 1939 was intended from the beginning to be a different sort of war. After considering the narrative of events of 1939-40 (the invasion of Poland, the conquest of western Europe in May-June 1940 and the ‘Battle of Britain’) this week will concentrate on the war in the east and the plans the Nazis had for large-scale ‘ethnic cleansing’ and resettlement in Poland, the Baltic States, the Ukraine and European Russia, territories Timothy Synder has called ‘the bloodlands.’

This ‘war of annihilation,’ as Hitler called it, was the prelude to the creation of a vast Germanic empire in the east stretching to the Urals. Hitler had written and spoken of this war since the 1920s and we will examine the ways in which Nazi policies in the east were implemented, first in Poland, then in the Soviet Union. We will also consider the role of the Einsatzgruppen murder squads and of allies and collaborators from across Europe who volunteered to fight in Russia as part of a European ‘crusade’ against ‘Bolshevism’. The week will conclude by detailing the ways in which the Germans and their allies were finally forced to retreat by the Red Army after the defeat at Stalingrad and the consequences of the Bomb Plot against Hitler of July 1944. Finally, we will consider the question: why did the Germans fight to the bitter end in 1945 when it was clear that the war was lost?

 

Topics to include:

  • Germany’s war, September 1939-September 1940
  • Did Hitler ever intend to invade Britain?
  • Germany turns east – the plans for German rule in the east
  • ‘Ethnic cleansing’ and resettlement
  • The siege of Leningrad
  • Collaborators and allies in the east
  • The battle of Stalingrad
  • On the back foot – the Soviet advances
  • The Bomb Plot and its consequences
  • Why did the Germans fight to the end in 1945?

 

Learning outcomes

By studying this week the students should have:

•Some insight into why the war in the east was described as ‘a war of annihilation’;

•Some appreciation of the manner in which this policy was put into effect and its consequences;

•Some understanding of why nations and individuals fought for, or alongside, Nazi Germany.

 

Week 5 - Endlosung: the Final Solution of the Jewish Question

Purpose

The final week follows on from week 4, as the attempted extermination of the Jews took place within the broader concept of the ‘war of annihilation’ in the east. We will begin by looking, briefly, at anti-Semitism before 1933 and, in particular, how a religious prejudice changed in the nineteenth-century, under the influence of pseudo-science, into a biological racial theory, which, after 1917, was linked to a fear of Communism. From there we will look at ways in which the Nazi state sought to exclude Jews from all aspects of German cultural, social and economic life and how, in the 1930s, a policy of forced emigration was favoured.

With the outbreak of war the situation changed, emigration was no longer an option and, with the conquest of Poland, the Ukraine and European Russia millions of Jews found themselves under Nazi control. The ways in which, and the reasons why, Nazi policy towards the Jews evolved so rapidly in late 1941 and early 1942 is an important part of this week. At some point in the autumn of 1941 a decision appears to have been taken at the highest levels that the Jews of Europe should be systematically shipped to the east and exterminated, we will look at the evidence for this and the work of historians, such as Ian Kershaw, who have written on this question.

This period witnessed Nazi policy move away from mass shooting towards experiments with gas, particularly when the first extermination camp was established at Chelmo in December 1941. We will also consider the Wansee Conference of January 1942 and its place in the radical escalation of killing seen at this time. From there we will examine the evolution of Auschwitz from a concentration camp to an industrialized centre of extermination and how this was achieved. We will also consider the role of Germany’s allies and collaborators in the Holocaust, what the British and Americans may or may not have known about what was going on, and the fate of Roma and millions of Russian prisoners-of-war in related Holocausts. The week will end by considering the attempts to bring the perpetrators to justice, asking the question why this process has so often failed and the significance of those who deny that the Holocaust ever took place.

 

Topic to include:

  • Anti-Semitism before 1933
  • Nazi persecution of Germany’s Jews before 1939
  • Eichmann in Vienna, 1938
  • Nazi treatment of the Jews of Poland and the Soviet Union
  • When did Hitler decide on genocide?
  • Escalation, Chelmo and the Wansee Conference
  • Operation Reinhard
  • Hungary 1944
  • Jews for sale – Himmler and the allies
  • Other Holocausts – the Roma and Russian POWs
  • Justice against the perpetrators
  • Holocaust denial

 

Learning outcomes

 By studying this week the students should have:

•An introduction to the varied roots of anti-Semitism in pre-war Europe

•Some understanding of Nazi policies towards German and Austrian Jews prior to 1939 and their consequences;

•An appreciation of how Nazi policy concerning the ‘Jewish Question’ evolved over 1941-42;

•Some insight into the varied roles played by allies and collaborators in the Holocaust;

•Some understanding of why post-war attempts to bring perpetrators to trial have been so difficult.

 

 

Week 6 - What Next?

Purpose

•Assessment of student learning

•Assessment of student satisfaction

•Encouragement of further study

 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

Certificate of Participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say: 

"It was lively and informed and the tutor contributed hugely to this."

"I appreciated how Andrew took the time to interact with the forums, offer interesting advice and different perspectives on the subject as well as fascinating materials promoting further enquiry and study."

"Very personalized approach. I enjoyed it very much"

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31539

Read more at: Introduction to emotional and social embodied cognition

Introduction to emotional and social embodied cognition

Subject ref: 
Type ref: 
Course code: 
2526NOE045
Start date: 
Monday, 5 January, 2026 - 00:00 to Sunday, 22 February, 2026 - 00:00
Apply by: 
Monday, 5 January, 2026 - 00:00
Course tutor id: 
9688
Course ID: 
31618
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To introduce participants to key theories and concepts in psychology of social cognition and emotions
  • To learn the key methods to study emotional and social cognition: how to measure our ability to recognise facial expressions and the feelings of others
  • To study the foundations of the theories of embodied cognition: we are what we feel

Target audience

  • Anyone with an interest in psychology. This course will touch on the fundamental principles of cognitive psychology with a specific focus on emotional social and embodied cognition

Course content overview

Psychology is the study of the human mind. cognitive psychologists primarily focus on how our mind works when interacting with other minds and bodies as well as interacting with itself, such as with our own memories and sensations. This course is an introduction to a fascinating discipline. It is intended for anyone with an interest in psychology. We will explore the key theories and findings on emotions and social embodied cognition, the key methods to measure our ability to understand the feelings of others. We will focus on the main theories of embodiment and hypotheses and on how researchers investigate and address them. In doing so, we will learn about the main methods and materials used to explore emotional embodiment and to measure our ability to recognise other people’s facial expressions. This will include the main experimental designs, behavioural and neuroimaging methods adopted. This course will show that psychology is not just about the mind; it will introduce participants to the idea that our mind is rooted in our body and that perhaps it is time to move on from this dichotomy.    

Schedule (this course is completed entirely online)

Orientation Week: 5-11 January 2026

Teaching Weeks: 12 January-15 February 2026

Feedback Week: 16-22 February 2026

Teaching week 1 - What is Cognitive Psychology: an overview

This week will provide an overview of key findings, theories and research methods of cognitive psychology.

Cognitive psychology is the scientific study of the mind as an input and output processor. Cognitive psychologists base their research on models of how people's minds process information and how different areas of the brain interact with each other to do it. These models relate to various cognitive functions including perception, attention, language, memory, thinking, and consciousness.

 This week will explore:

a.         History and key findings of cognitive psychology.  

b.         What is the purpose of cognitive psychology?

c.         What is the literature framework of the major models.

Learning outcomes

By studying this week participants should:

  • Learn about the key findings and assumptions of cognitive psychology;
  • Familiarize themselves with some of the central debates in cognitive psychology concerning the role of nature vs nurture in shaping the human mind;
  • Understand the relationship between the mind and the brain and the role of automatic vs controlled processes in shaping human behaviour.

Teaching week 2 - How we feel emotions: introduction to the psychology of facial expressions and to theories of embodied emotional processing

This week will provide an introduction to the main concepts and theories of social cognition. In particular, this week explores the extent to which mirror neurons shape our ability to understand others and our ability to understand that others might have mental states that differ from our own (theory of mind reasoning).  

Learning outcomes

By studying this week participants should:

  • Learn key concepts and theories in studying emotional and social cognition;
  • Become familiar with core debates on the role of facial expressions and on the embodiment of emotional recognition.
  • Understand how the production and perception of emotional facial expressions is explored from different angles by different theories.

Teaching week 3 - How do we study emotions? Emotional processing and social cognition research methods

This week explores the key research methods of embodied emotional processing and social cognition. It will outline the most important techniques in the broader cognitive psychology and evaluate the contribution they can make to emotional processing research and embodiment theories. It will also introduce the role of neuropsychological research in understanding how brain lesions can help us understand how the brain normally functions. Key methods of neuroimaging techniques covered will be specifically focused on electroencephalogram (EEG) and electromyography (EMG).

Learning outcomes

By studying this week participants should:

  • Understand of the main methods in Cognitive Psychology.
  • Learn neuroimaging techniques and neuropsychological findings and how they contribute to our knowledge on emotional processing and embodied cognition.
  • Develop a critical approach to methods and how each of them helps answer to specific research questions.

Teaching week 4 - How do we recognise the emotional facial expressions of others? Feeling me to feel you - from theory-theories to the simulation theory

This week will provide an introduction to the main theories of emotional facial expression recognition. It will include an overview of the Theory theory models as well as of the simulation theory models. It will also illustrate the key findings on facial mimicry often associated with better facial expression recognition.

Learning outcomes

By studying this week participants should:

  • Learn the main theories of emotional facial expression recognition and to critically evaluate the extent to which empirical studies support different theoretical claims.
  • Understand how the simulation models account for the facilitating role of sensorimotor simulations during emotion mind-reading process.
  • Develop a critical approach towards the literature on production and recognition of emotional facial expressions and the mechanisms involving both sensorimotor simulation and theory-theory processing.

Teaching week 5 - Is it always easy to understand others' emotions? The influence of context and expression ambiguity on mimicry during emotional recognition

Any emotional expression is a communication channel that has the intrinsic intention of conveying a message. The expression finds its meaning in the interaction with another person and its sense in the social context.

This week provides an overview of the factors that influence the emotional understanding in a natural social situation. This week will outline some of the main factors that are thought to affect the way we have insights about other’s feeling and intentions. This includes our attitude towards the other (for instance our motivation to understand their emotions), prior knowledge that we have about them and the ambiguity of the facial expression itself.  

Learning outcomes

By studying this week participants should:

  • Learn that the embodied understanding of other’s emotions is an interpretation of emotional signals.
  • Understand that the embodied understanding of other’s emotions is influenced by contingent factors of the reader and the expresser.
  • Develop a critical approach to the literature and research questions of the field.

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

"I think the content was easy to follow, considering it is open to everyone. Then, the articles and additional readings and videos were complementary of the course transcript. I think it is a good mix."

"It was better than my expectations! The combination of a summary provided by the professor with related articles and videos was very engaging."

"The mixture of learning delivery was great - readings, lectures, quizzes, discussions. There was a lot of information so great value for money."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31588

Read more at: Instructional Design Fundamentals

Instructional Design Fundamentals

Subject ref: 
Type ref: 
Course code: 
2526NOE037
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course tutor id: 
9883
Course ID: 
31612
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To provide a practical introduction to Instructional Design
  • To explore effective theories and frameworks for designing learning/training content
  • To define effective aims, learning objectives, and learning outcomes
  • To explore ways to effectively evaluate the effectiveness of learning and training
  • To have participants create an instructional storyboard for a simple learning project 

Target audience

Anyone with an interest in the subject: teachers; instructors; professors; digital learning developers; students; learning managers; and anyone who is a stakeholder in the creation and delivery of learning/training content.

Course content overview

This course is designed for those who want to create highly effective instructor-led training, online learning, or mobile learning content — on any subject and for any audience. The course will cover:

  • Understanding the function and fundamentals of instructional design
  • Designing effective instructional content using the ADDIE (Analysis, Design, Development, Implementation, and Evaluation) model
  • Researching an audience and defining clear aims, learning objectives, and learning outcomes
  • Designing an effective learning framework using a storyboard approach
  • Evaluating the effectiveness of learning and training delivery

Teaching week 1 - What is instructional design?

Purpose/Learning outcomes

  • Describe underlying principles of instructional design (ID) and explain the benefits
  • Demonstrate a high-level knowledge of different ID models
  • Describe, explain, and compare each of the phases of the ADDIE ID model
  • Critically evaluate ADDIE as an appropriate model for ID
  • Apply these outcomes to participant’s chosen project. Participants will be asked to justify approaches/choices they make.

Teaching week 2 - Learning domains and Bloom's Taxonomy

Purpose/Learning outcomes

  • Compare and contrast the different types of learning gaps and evaluate the optimal approach for a given audience
  • State the aspects of evaluating and analysing an audience and its value for ID
  • Explain the essential elements and underlying principles of needs analysis
  • Evaluate specific example audiences and present appropriate learning strategies  
  • Describe, discuss, and critically evaluate Gagne and Bloom's idea of Learning Domains
  • Describe, discuss, and critically evaluate the use of Bloom's Taxonomy to inform an appropriate learning framework
  • Apply these outcomes to participant’s chosen project. participants will be asked to justify approaches/choices they make.

Teaching week 3 - Defining objectives and choosing delivery formats

Purpose/Learning outcomes

  • Define what aims, learning objectives, and learning outcomes are
  • Write and evaluate effective learning objectives using Blooms verbs
  • Compare and contrast different delivery formats
  • Evaluate and recommend appropriate delivery formats for different learning use cases
  • Apply these outcomes to participant’s chosen project. participants will be asked to justify approaches/choices they make.

Teaching week 4 - Designing content

Purpose/Learning outcomes

  • Describe the concept of a learning storyboard and state its value
  • Evaluate sample story boards an evaluate their effectiveness
  • Compare and contrast different ways to create an effective storyboard screen
  • Create a simple storyboard for a chosen project
  • Use storyboard screens to help inform the development of learning topics
  • Apply these outcomes to participant’s chosen project. participants will be asked to justify approaches/choices they make.

Teaching week 5 - Evaluating learning

Purpose/Learning outcomes

By studying this week the students should be able to:

  • Explain the benefits of evaluation and its relationship to analysis and design
  • Describe the Kirkpatrick evaluation approach
  • Determine which aspects of learning/training should be evaluated 
  • Discuss shortcomings of the Kirkpatrick approach
  • Compare LTEM (Learning Transfer Evaluation Model) approach with Kirkpatrick approach
  • Apply these outcomes to participant’s chosen project. participants will be asked to justify approaches/choices they make.

Schedule (this course is completed entirely online)

Orientation Week: 27 October-2 November 2025

Teaching Weeks: 3 November-7 December 2025

Feedback Week: 8-14 December 2025

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say:

"Paul was very helpful, very responsive, and put effort and energy into guiding us in the right direction. I would happily recommend this course to any teachers looking to move into instructional design."

"It gave a good broad overview of instructional Design, applicable to a range of experiences and job roles."

"The course met all my expectations. It was structured, pitched and delivered just right. I liked the mix of webinar, activities, and support material."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
tab1order: 
1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31548

Read more at: Learning and memory in the brain

Learning and memory in the brain

Short description: 

Find out what happens in the brain when we learn and create memories, and why we shouldn’t always trust everything we remember. By understanding our brains better, we can find ways to help improve these processes, at any stage of our lives. During the course, you will find out how memories are stored in the brain, how this process can go wrong, and what changes in the brain as you age. Using research from psychology and neuroscience, we will also cover tips and tricks to help you make the most of your memory.

Type ref: 
Course code: 
2526NOE031
Start date: 
Monday, 27 October, 2025 - 00:00 to Sunday, 14 December, 2025 - 00:00
Apply by: 
Monday, 27 October, 2025 - 00:00
Course tutor id: 
8952
Course ID: 
31606
Tuition fee: 
£415
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
25
Booked places: 
0
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Study mode ref: 
tab1name: 
Course information
tab1html: 

Aims of the course:

  • Improve understanding of what the neuroscience and psychology of learning and memory can (and can’t) tell us.
  • Raise awareness of how the brain changes throughout life and how this affects our behaviour.
  • Help develop strategies that can be used at home to improve learning & memory.

Learning outcomes:

As a result of the course, within the constraints of the time available, students should be able to:

  • Know what happens in the brain when we learn.
  • Recall what psychological studies have taught us about learning & memory, and their limits.
  • Understand how the brain changes as we grow and age.
  • Use this understanding to improve the efficiency of their learning & memory.

Target audience:

  • Anyone with an interest in the brain, learning and memory. Teachers, parents, those with elderly relatives. 

Course content overview:

Research in Psychology and Neuroscience progresses rapidly; we discover more about how we learn and how our memories work. This online course will provide a guided tour through the brain, looking at the changes that occur on a cellular level when we learn new information or store a memory. We will examine the way the brain changes from child to teenager to adult, and how these affect the way we learn and remember information. By understanding more about the way memories are stored and recalled, we can explore different ways to help improve this process, at any stage of our lives. 
The study of how learning happens in the brain is a popular emerging field, but it is filled with misinformation. The course will tackle common misconceptions and look at ways in which we can use our understanding of the brain, as well as the tricks psychological research has uncovered, to help everyone learn more quickly and efficiently. We will finish with a practical session covering memory tricks and exercises anyone can use to learn and remember information more effectively.

Schedule (this course is completed entirely online):

Orientation Week: 27 October 2 November 2025

Purpose/Learning outcomes: By studying this week the students should have:

  • Become familiar with navigating around the VLE and from VLE to links and back
  • Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning Helpdesk
  • Learnt how to look for, assess and reference internet resources
  • Used forums to introduce themselves to other students
  • Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies and also to respond to News item sent out on behalf of tutor

Teaching Weeks: 3 November-7 December 2025

Week 1 Learning in the brain

Purpose: To introduce students to the neuroscience of learning and memory, and our limitations in its understanding. We will cover the reconstructive nature of memories, false memories, and their implications. By studying this week the students should have:

  • Understood what neurons and synapses are, and their role in memory formation.
  • Know the main brain regions implicated in memory and learning.
  • Learnt that memory is fallible and changeable, and thought about what this means for e.g. eyewitness testimony.

Week 2 Types of memory

Purpose: To discuss the distinctions that can be made between different types of memory, and their usefulness. By studying this week the students should have:

  • Understood the difference between short term and long term memories.
  • Explored different types of long term memory, including explicit and implicit, and the brain regions involved.
  • Looked at how recall and recognition memory differ. 

Week 3 Brain changes through the ages

Purpose: To cover the way the brain changes as we progress from babies to children, teens, and adults and as we age. We will explore how these changes impact our ability to learn at each stage in our life. By studying this week the students should have:

  • Understood how the infant’s brain is primed for learning, and how different abilities mature at different times. Examined the evidence for critical periods in human learning. 
  • Looked at the teenage brain, and its implications for teen behaviour.
  • Gained knowledge about healthy aging, and the brain and behaviour changes associated with it.

Week 4 Memory problems

Purpose: To cover a variety of conditions that can affect memory, including traumatic brain injury, stroke and dementia. We will look at the portrayal of amnesia in the media and its accuracy and discuss what happens in the brain to cause these symptoms. By studying this week the students should have:

  • Understood that damage to different areas of the brain can cause different types of memory problem.
  • Looked at psychological causes of amnesia and the controversies surrounding them.
  • Covered childhood amnesia, and our limits in explaining it. 
  • Become aware of the limits in our understanding of dementia, and the direction future research is likely to take. 

Week 5 Brain Boosts

Purpose: To provide practical, science-based tips and tricks that students can use in their daily lives to help improve their memory and learning. By studying this week the students should have:

  • Understood that psychology, not neuroscience, currently provides us with the most practical guidance.
  • Tried a variety of memory boosts to determine which work best for them, and thought about how they could apply them in their lives.
  • Analysed how the information they have learnt in the course can help make them better learners. 

Feedback Week: 8-14 December 2025

Purpose:
•    Assessment of student learning
•    Assessment of student satisfaction 
•    Encouragement of further study
 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

Certificate of Participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say:

"I’ve really enjoyed the course. Ginny, you have made quite complex topics really clear and easy to understand. The quality of your weekly presentations have been excellent and I’ve benefited from being able to work at my own pace. Additionally, the reading lists have been helpful in expanding my understanding of topics."

"Thank you for this great course Ginny. I enjoyed it all... It was good to be able to try live experiments on ourselves too!"

"Ginny responded so well to our forum answers and questions and even supplied further material on it. Ginny made the course really interesting and understandable."

"The course was well structured, thorough and well-presented and the tutor engaged in conversations, sharing her opinions and insights."

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Requirements
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Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

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Fees and financial support
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Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
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31549

Read more at: Making academic writing accessible

Making academic writing accessible

Subject ref: 
Type ref: 
Course code: 
2526NOE043
Start date: 
Monday, 5 January, 2026 - 00:00 to Sunday, 22 February, 2026 - 00:00
Apply by: 
Monday, 5 January, 2026 - 00:00
Course ID: 
31616
Tuition fee: 
£525
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
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0
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15
Booked places: 
0
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false
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Overview
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Aims of the course

  • To discover how academic writing can be made more accessible and engaging for a wider audience
  • To develop an appreciation of writing in terms of communication and pleasure
  • To give information on pursuing commercial/popular publication

Target audience

Undergraduates, Postgraduates, and more senior academics who want their research to be read by a wider audience.

Course content overview

  • Participants will look at how to build bridges between the sometimes esoteric language of academia and writing for the general reader
  • Participants will discuss style, language, narrative, brevity, clarity and knowing your audience
  • Participants will explore and experiment with different writing styles
  • The course will also look at how to approach agents and publishers

Teaching week 1: Why is academic writing so academic?

To discuss the nature of academic writing

Learning outcomes:

  • To provide an understanding of the language and system of academic writing
  • To provide an appreciation of what makes academic writing seem elite or opaque to the general reader
  • To discuss how academic writing can be deconstructed

Teaching week 2: Writing for a diverse audience

To show how academic writing can be made more accessible to the general reader

Learning outcomes:

  • To provide an understanding of style, language, brevity and clarity
  • To provide an appreciation of writing that can communicate, inform, and induce delight
  • To experiment with re-writing a short piece of academic script into a more accessible style

Teaching week 3: What makes a story?

To explore what a story is, what it is for, and how to shape one.

Learning outcomes:

  • To provide an understanding of the 'hook', and the means to find one
  • To provide an appreciation of structure, framing the narrative and driving it on
  • To provide the means to recognise and assess what makes a good story

Teaching week 4: What kind of writer do you want to be?

To explore different styles of writing.

Learning outcomes:

  • To provide an understanding of different writing styles
  • To experience writing for a wider audience
  • To provide the means to develop a lucid and engagingly memorably style
  • To provide knowledge of the audience you want to reach

Teaching week 5: Aiming for publication

To look at how to approach publication

Learning outcomes:

  • To provide an understanding of what agents, publishers, and the media want from writers
  • To provide an insight into the potential for self-publishing
  • To provide knowledge about how best to approach publication

Schedule (this course is completed entirely online)

Orientation Week: 5-11 January 2026

Teaching Weeks: 12 January-15 February 2026

Feedback Week: 16-22 February 2026

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

"Everything was fine. Louise adopted just the right approach in this course for working adults, most of whom I guess had limited time. She encouraged us and gave honest feedback. (She also has a very nice speaking voice, so was easy to listen to!)"

"I loved this course! Louise is an excellent tutor. She gave us a vast range of interesting and helpful tips on how to write in a creative and engaging way. The activities were challenging and stimulating, allowing us to explore our authentic selves. I now feel free from the shackles of academia! Thanks, Louise, you are great, I have learned a lot from you and now feel more confident in expressing myself."

"A fantastic course worth every second of time investment! Revelations at every turn!"

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees and financial support
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Concessions

For more information on available concessions, please visit the Concessions information page on our website.

Alison Fordham Bursary

The Institute is proud to offer the Alison Fordham bursary, which is awarded to students who wish to study on one of our short online courses via our virtual learning platform, reducing the fee paid by 50%. The bursary is limited to a single award for each set of online courses.

Application criteria: 

  • Applicants should set out their personal learning motivations since priority will be given to those who are returning to learning after an extended break, or have not previously engaged with fully online learning, or are seeking to use the online short course as a bridge towards undergraduate award-bearing study.    
  • Applicants who can demonstrate financial need.  
  • Apply here https://www.ice.cam.ac.uk/bursary-application
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1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31586