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Read more at: Creative writing: an introduction to writing for children

Creative writing: an introduction to writing for children

Short description: 

Children are a wonderful audience for stories. They are open to new ideas, and honest in their appreciation or criticism of them. If a child loves a book they will want it over and over again until it becomes almost a part of them, remembered forever. Children's books come in a range of formats for different ages and stages. In some, text shares the stage with pictures, in some text stands alone. It's a complex world, but a fascinating one. This course introduces stories for babies, for early readers, for middle grade and young adults, and challenges participants to have a go at them all, to discuss and share and develop their own ideas.

Subject ref: 
Type ref: 
Course code: 
2223NOE079
Start date: 
Thursday, 13 April, 2023 - 01:00 to Sunday, 28 May, 2023 - 01:00
Apply by: 
Thursday, 13 April, 2023 - 01:00
Course tutor id: 
8312
Course ID: 
30739
Tuition fee: 
£395
Course programme: 
Online Course
Duration description: 
7 Weeks. This course is completed entirely online
Non-accredited
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0
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15
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11
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Aims of the course:

  1. To explore the range of fiction and book formats for different ages and stages of childhood.
  2. To show how to shape and write stories, sometimes to work with illustration.
  3. To allow participants to develop an understanding of the market, and how to pursue publication.

Learning outcomes

As a result of the course, within the constraints of the time available, students should be able to:

  1. understand what a story is, and how it works;
  2. appreciate why different stories and styles suit different stages of childhood and book format;
  3. make an informed attempt at writing for children of different ages;
  4. understand what is involved in getting a story published.

 

Course content overview:

  • This course will consider children of different ages and stages, and the books suited to them.
  • An understanding of story will be developed, considering character, plot and writing voice appropriate to the young audience and readership.
  • Information will be given in targeting different potential publication openings.

Schedule (this course is completed entirely online):

Orientation Week: 10-16 April 2023

By studying this week the students should have:

  • become familiar with navigating around the VLE and from VLE to links and back;
  • tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning Helpdesk;
  • learnt how to look for, assess and reference internet resources;
  • contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out of their studies and also to respond to News item sent out by tutor.

Teaching Weeks: 17 April-21 May 2023

Week 1 What’s the story?

Purpose: To explore what a story is and how to shape one. By studying this week the students should have an understanding of the necessary structure of story.

Week 2 Character and plot

Purpose: To show how character and plot are intertwined to achieve story. By studying this week the students should have:

  • an understanding of how character powers plot;
  • the tools with which to create character through words;
  • the experience of writing a story opening that establishes character and sets a plot in motion.

Week 3 Voice

Purpose: To explore how different writing treatments can achieve different effects.  Narrative voice, first person, use of dialogue, letters and diary entries. By studying this week the students should have:

  • an understanding of different writing styles, and the effect those different styles can create;
  • experience in trying some of those different styles;
  • experience in assessing those styles, when written by others.

Week 4 Words in partnership with illustration and design

Purpose: To show how pictures showing story can work together with words telling or animating a story.  To demonstrate how book design can present story to dramatic effect. By studying this week the students should have:

  • an appreciation of how words and pictures can work together to communicate story in picture book form;
  • an experience of writing with illustration in mind.

Week 5 Aiming for publication

Purpose: To introduce the complex world of children’s book publication, highlight potential openings, and teach how best to approach publication. By studying this week the students should have:

  • an understanding of the markets for children’s books;
  • an understanding of the different requirements from publishers aiming different formats of books for different ages of children and different markets;
  • knowledge about how best to approach publication

Feedback Week: 22-28 May 2023

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

“Every week I found myself challenged and encouraged with insightful information, exercises and feedback.”

“I really enjoyed the class! It's one of the first online class I take that has exercises, which is the best way to learn a new discipline. I also found that the advice was very pragmatic, which was great. Having a real author as a teacher was very valuable."

"Pippa is just sooooo knowledgeable (I know this is an obvious one, being such a successful author) and her feedback absolutely precious. The videos were great and the examples cited just what one needed to understand some concepts. Very accessible as well. Such a joy to have been taught by Pippa."

"Great teacher! I loved many things about Pippa: - the honest and detailed feedback on the exercises: it was very helpful to understand what not to do (for instance, don't make rhymes if it doesn't make sense with your story. It sounds simple but it's not until you're being told about it!) - the pragmatic examples on publication (what to expect from the process, in all transparency). - I also really liked the chosen readings (Fenella Butts, This is not my hat, etc.)."

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Entry requirements
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This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

 

Our online courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

 

Given the nature of creative writing, it is important that students' use of English is sufficiently fluent to be able to understand in English nuances of meaning and have a familiarity with the structure and grammar of English. Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

For information on bursaries for this course, please see http://www.ice.cam.ac.uk/info/bursaries

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Canonical Course ID: 
30950

Read more at: Britain and the Holocaust: the legacy of the Holocaust in Britain since 1945

Britain and the Holocaust: the legacy of the Holocaust in Britain since 1945

Short description: 

This course looks at the many legacies of the Holocaust in Britain since 1945. It will focus on topics such as film and literature; Holocaust museums and memorials; Jewish cultural organisations in the UK and the work of organisations such as the Holocaust Educational Trust and Holocaust Memorial Day Trust; and British Heroes of the Holocaust.

Type ref: 
Course code: 
2223NOE090
Start date: 
Monday, 22 May, 2023 - 01:00 to Sunday, 9 July, 2023 - 01:00
Apply by: 
Monday, 22 May, 2023 - 01:00
Course tutor id: 
9271
Course ID: 
30744
Tuition fee: 
£295
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
20
Booked places: 
0
Course cancelled: 
false
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Course information
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Course content overview:

Britain's relationship with the Holocaust is an area of significant, and growing, interest both in scholarship and the popular imagination. Still in its infancy, historiography and memory work on Britain and the Holocaust is an emerging area of debate that is often conflicting and contentious. Arguments have typically centred on precise historical moments that are often emotionally loaded.

This course will introduce participants to key themes of Holocaust history and memory in Britain from 1945 to the present day. We will consider how the Holocaust is presented through film and literature, beginning with the iconic film footage documenting the liberation of Bergen-Belsen in 1945. The course will also explore Holocaust fiction and memoirs that contribute to public understanding of the Holocaust in Britain.

Following this, the course will look at Holocaust memorials and museums in Britain, including the permanent Holocaust exhibition situated within London's Imperial War Museum and the forthcoming United Kingdom Holocaust Memorial and Learning Centre, along with various other Holocaust memorials and memorial gardens situated throughout Britain.

Participants will discuss the activities of the Holocaust Educational Trust and its instrumental role in the design and delivery of teaching and training materials related to the Holocaust. Due to the work of the Trust, the Holocaust became a compulsory topic for the subject of history in all schools throughout England and Wales. We will explore in more depth the implications of this on Holocaust history and memory in Britain. The course will also look in detail at the work of the Holocaust Memorial Day Trust in creating, maintaining and exploiting memory of the Holocaust since its establishment in 2000.

The course will also consider the role of Jewish cultural organisations in the construction and dissemination of Holocaust history and memory in Britain since 1945. Cultural organisations, such as the 45 Aid Society and the Wiener Library, have played a pivotal role in shaping and maintaining memory of the Holocaust in Britain. Participants will take a closer look at the impact such organisations have on how the Holocaust is remembered and memorialised, for both Jews and non-Jews, in Britain.

Finally, the course will finish with a critical examination of 'British heroes of the Holocaust'. Participants will look at key figures such as Nicholas Winton and Sister Agnes Walsh, their roles during the Holocaust, and how they are actively (and officially) remembered and commemorated in British memory, culture and society.

Aims of the course:

  • To offer participants an introduction to the legacy and memory of the Holocaust in Britain from 1945 to the present day
  • To familiarise students with key scholarly debates surrounding Holocaust history and memory in a British context
  • To enable students to critically analyse and evaluate source material 

Schedule (this course is completed entirely online):

Orientation Week: 22-28 May 2023

Teaching Weeks: 29 May-2 July 2023

Feedback Week: 3-9 July 2023

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

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Entry requirements
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This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our online courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

For information on bursaries for this course, please see http://www.ice.cam.ac.uk/info/bursaries

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Study level ref: 

Read more at: User Experience Design

User Experience Design

Type ref: 
Course code: 
2223NOE082
Start date: 
Thursday, 13 April, 2023 - 01:00 to Sunday, 28 May, 2023 - 01:00
Apply by: 
Thursday, 13 April, 2023 - 01:00
Course tutor id: 
9783
Course ID: 
30742
Tuition fee: 
£295
Course programme: 
Online Course
Duration description: 
7 Weeks. This course is completed entirely online
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
20
Booked places: 
10
Course cancelled: 
false
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Overview
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Aims of the course

  • To gain knowledge of the principles of User Experience (UX) Design
  • To develop awareness about UX Design methods and tools
  • To understand the importance of empathy in UX Design
  • To experiment how to creatively build ideas and tell compelling stories
  • To develop a user-centred, inclusive mindset applicable in both personal and working life
  • To connect with a group of like-minded colleagues and UX Design leaders from major worldwide businesses

Target Audience

  • Those interested in learning more about design thinking, creativity, innovation, and storytelling
  • Those considering becoming User Experience Designers or approaching User Experience Research
  • User Experience Designers and User Experience Researchers in training
  • No prior UX Design experience is necessary, although participants would normally be working within organisations or working professionally with organisations.

Course content overview

Nowadays, in a time everyone is required to continuously acquire new skills, it is extremely relevant to make sure that we understand the importance of having a user-centred, inclusive mindset, what being a UX Designer means and what tools are available to efficiently craft meaningful experiences.

This course will emphasise the central role of thinking creatively with empathy, and the importance of understanding different methods to approach problem solving, innovation, and establish a working practice that helps to craft inclusive experiences.

The UX Design course will stress the importance of inclusion and diversity in the creative process, storytelling, pitching and advocating about ideas to influence peers by delivering inclusive experiences across different countries.

With this course participants will be able to transition in to UX Design roles, approach life with a more empathetic, inclusive attitude, and infuse the UX Design mindset to colleagues and friends.

Schedule (this course is completed entirely online)

Orientation Week: 10-16 April 2023

Teaching Weeks: 17 April-21 May 2023

Feedback Week: 22-28 May 2023

Teaching Week 1 - Introduction to UX Design: the importance of meaningfully connecting with people

The focus of this week is to explore what UX Design is, the relevance of connecting with people and the overall core skills of a User Experience Designer.

Learning outcomes

By studying this week, participants should have:

  • Knowledge and understanding of the principles of UX Design
  • Knowledge and understanding of the importance of connecting with people according to the principles of inclusion, diversity, and equity 
  • Taken part in a practice session with a fellow participant to experiment how to meaningfully connect with other individuals

Teaching Week 2 - The relevance of UX Design: approach, methods and applications

The focus of this week is to comprehend the approach and available methods and to familiarize with them across multiple applications in different scenarios  

Learning outcomes

By studying this week, participants should have:

  • A deeper understanding of UX Design approach and methods
  • Knowledge and ability to clearly justify how and when to use methods, according to project goals, timing and budget
  • Taken part in a learn by doing session with a fellow participant with a practical challenge

Teaching Week 3 - Deep dive into UX Design methods and tools: WWWWWH, what, who, where, when, why and how

This week will deep dive into methods and tools and will explore the “what, who, where, when, why and how” of UX Design by helping participants to recognize which tool fits best their specific goals in collaboration with co-workers.

Learning outcomes

By studying this week, participants should have:

  • Knowledge and understanding of the methods and tools and their applicability
  • Learnt how to apply tools and methods sessions through applied exercises
  • Knowledge and understanding of how to prioritise choices for creating inclusive experiences

Teaching Week 4 - Industry case studies

The focus of this week is to illuminate participants with case studies and allow them to discover how to apply user-centred research  into user-centred design and create inclusive products and services.

Learning outcomes

By studying this week, participants should have:

  • Greater awareness on how to communicate ideas, the art of storytelling and to influence peers and customers with compelling stories that evoke emotions
  • Deeper understanding of the mindset, the job as a UX Designer in a large organization
  • Understanding on how to connect with companies and what to offer for a possible career change or new job opportunity in UX Design

Teaching Week 5 - Becoming a UX Designer: opportunities and challenges

This final teaching week focuses on the practical aspects of becoming a UX Designer, what are the opportunities offered in the market, what are the challenges and how to get ready to land a job in the UX Design market

Learning outcomes

By studying this week, participants should have:

  • Knowledge and understanding of the practical aspects of being a UX Designer
  • Understanding the importance of a portfolio, the benefit of being a UX Designer, and how the job market is eager to recruit UX Designers
  • Grasp the significance of UX Design in several business sectors and job market dynamics
  • Reflections from industry case studies 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

"An excellent overview of the principles of UX Research and UX Design! I’ve gained a broader awareness of the importance of inclusive design (as a universal human right); Deiter Ram’s 10 principles for good design; the UXPA Code of Professional Conduct which can be applied to a wide range of purposes and cross-disciplines; the UX Research Tools Map which contains many new/different tools I’m excited to explore further; and an abundance of other new resources and tools!"

"I have gained a deeper understanding of the ideologies of user experience design. I have learnt that UX design that disregards people, is in return overlooked. Moreover, creating good UX design is about putting the consumer first, so question everything. Also, for brand loyalty and greater revenue, it is imperative that the Who? What? Where? When? Why? How? (WWWWWH) method is implemented. This strategy will allow one to identify the user’s needs so that a useful and user-friendly product is constructed and released into the market."

"I appreciated direct feedback and engagement of the tutor. It was good to see examples from Matteo's work, it put learning into context."

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Requirements
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Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

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Fees & bursaries
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Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Bursaries

The Cambridge University Press (CUP) Bursary Fund offers a bursary of 50% of the course fee to applicants who teach in a UK state school or state-funded further education institution, applying to study a day school, weekend course or online course.

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Canonical Course ID: 
30996

Read more at: Shakespeare and the interpretation of history

Shakespeare and the interpretation of history

Short description: 

The interpretation of history mattered to Shakespeare and his contemporaries. Not only did the legitimacy of the Elizabethan regime under which they lived depend on a very particular reading of history, but retelling stories about the political past was a recognized way of talking obliquely about the political present. We will look closely at two of Shakespeare's plays, Richard II and Henry V, asking what interpretation they make of history, and what they have to say about the ways in which history is shaped by interpretation, not only in retrospect but at the very time when it is being made.

Subject ref: 
Type ref: 
Course code: 
2223NOE080
Start date: 
Thursday, 13 April, 2023 - 01:00 to Sunday, 28 May, 2023 - 01:00
Apply by: 
Thursday, 13 April, 2023 - 01:00
Course tutor id: 
1406
Course ID: 
30740
Tuition fee: 
£295
Course programme: 
Online Course
Duration description: 
7 Weeks. This course is completed entirely online
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
20
Booked places: 
8
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Purpose ref: 
Study mode ref: 
tab1name: 
Course information
tab1html: 

Aims of the course:

  1. To introduce students to critical study of two of Shakespeare's most important history plays, Richard II and Henry V, in both of which the interpretation of historical events is a central concern.
  2. To show students how these dramas have played a role in the interpretation of English history, both in Shakespeare's day and in our own.
  3. To enable students to assess the merits of some established critical views of the plays, and to engage critically with modern productions (including readily available film versions)

Course content overview:

Students will learn how these plays, rather than merely recounting a particular version of history, themselves explore how important historical events come to be differently and often tendentiously interpreted, both at the time when they occur and in retrospect

Attention will be given to the ways in which a play's interpretation of history could prove disquieting to the authorities of the day, and hence dangerous to those who staged it.

In weeks 1-3 the text is Richard II, with special emphasis on its significance and reception in Shakespeare's own time. in weeks 4-5 the course will turn to Henry V, revisiting questions from weeks 1-3 but also moving on to consider the interpretation of a Shakespearean history play (and of history itself as received through Shakespeare) in modern times, especially on film, from World War II on.

This course will refer to the following editions:

Shakespeare, William. Richard II. Cambridge University Press, 2003. (paperback or Kindle edition)

Shakespeare, william. Henry V. Cambridge University Press, 2005. (paperback or Kindle edition)

Schedule (this course is completed entirely online):

Orientation Week : 10-16 April 2023

Teaching Weeks: 17 April-21 May 2023

Feedback Week: 22-28 May 2023

 

Detailed Course Schedule

Week 0 - Preparing to study this course

Purpose/Learning outcomes

By studying this week the students should have:

• Become familiar with navigating around the VLE and from VLE to links and back.

•Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning team.

•Learnt how to look for, assess and reference internet resources.

•Used Quickmail to introduce themselves to other students.

•Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies and also to respond to News item sent out on behalf of tutor.

Week 1 - Richard II and the politics of English history (Richard II, Act One)

Purpose:

Students will be introduced to the official version of English history promoted by the Tudor dynasty, and will begin to consider why and in what version Shakespeare’s Richard II and its sequels set out to retell that familiar history to their original Elizabethan audiences.

Learning outcomes

By studying this week the students should have:

•Understood why the period of English history from the reign of Richard II onwards was so important to the Tudor dynasty and so interesting to Elizabethan audiences.

•Grasped how the opening act of Shakespeare’s Richard II alludes to key events in this history.

•Discussed what interpretation the play puts on those events, and how the principal characters in the play interpret their own roles as historical actors.

 

Week 2 - Richard II and the Renaissance monarch (Richard II, Acts Two and Three)

Purpose:

Students will be introduced to the diversity of political thinking in Elizabethan England, and will see how a range of distinct political views are appealed to by characters in Shakespeare’s Richard II.  They will consider how the play engages with a specific political issue which was important to its original audience and yet perilous to discuss, namely the nature and limits of a monarch’s authority.

Learning outcomes

By studying this week the students should have:

•Encountered the range of contrasting ideas current in Shakespeare’s time concerning the basis of a monarch’s authority and the possible grounds for resisting it.

•Considered why a history play might have been an apt vehicle for exploring such ideas.

•Discussed  with what dramatic function and what political aims some of these ideas are expressed by characters in Shakespeare’s Richard II.

Week 3 - Richard II as political dynamite — royal anger and state censorship (Richard II, Acts Four and Five)

Purpose:

Students will learn how Shakespeare’s Richard II proved politically controversial and even dangerous in its own time, both on stage and in print.  They will be introduced to the nature of Elizabethan censorship and propaganda, and to the delicate relationship between the professional acting companies and the monarchy.

Learning outcomes

By studying this week the students should have:

•Learned about the involvement of Shakespeare’s play and acting company in a significant Elizabethan political crisis, the Essex rebellion, and seen how political censorship affected the text of the play as printed in the earliest editions.

•Considered the relation of Shakespeare’s acting company with state power and propaganda.

•Explored and debated the politics of the play itself, especially its closing acts, in light of these events and considerations.

 

Week 4 - Henry V — nationalist propaganda, subversive critique, or something in between?

Purpose

Students will apply what they have learned in weeks 1 – 3 to another important Shakespearean history play, Henry V, focusing on some scenes which illustrate the complexity of its interpretation of history and the attendant difficulties it presents to criticism.  They will encounter, and debate the merits of, some seminal critical views of the play.

Learning outcomes

By studying this week the students should have:

•Applied the learning content of weeks 1 – 3 to a second English history play, Henry V.

•Understood and assessed some important critical views of the play.

•Discussed the play’s exploration of the theme of the interpretation of history.

 

Week 5 - Henry V on film — Shakespearean history still open to interpretation

Purpose

Students will be introduced to the modern production history of Shakespeare’s Henry V, with especial attention to film versions (which they will be encouraged to watch).  Discussion will focus on (1) how different productions adapt the play to convey a particular interpretation of history, and (2) how modern productions cope with the difficulty that modern audiences are unlikely to have the relevant historical background knowledge assumed by the playwright.

Learning outcomes

By studying this week the students should have:

•Learned about, and encountered at first hand, some significant modern productions of Shakespeare’s play.

•Considered how particular productions interpret the historical events represented by the play, and how they adapt Shakespeare’s text to that end.

•Discussed the difficulties of staging Shakespeare’s history plays for modern audiences.

 

Week 6 - What Next?

Purpose

•Assessment of student learning

•Assessment of student satisfaction

•Encouragement of further study

 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

 

What our students say:

"The short video followed by the short audio presentations were very helpful and easy to take in. The resources were good supplementary reading."

"Excellent. The course delivery felt personal and accessible as well as serious and challenging."

"The tutor, Paul, gave very nuanced and interesting perspectives on the plays. He challenged all of us to think more deeply about many meaningful aspects of Shakespeare's interpretation of history. I learned a great deal."

"I love the personal notes, that every comment and query or uncertainty is picked up and addressed. The challenging of thoughts presented but always in a positive way and never speaking down to the participants. BA very engaged and engaging tutor - I look forward to logging on every day and learning more."

"There was good course feedback, with all of us participants being involved and our responses acknowledged. I learned that there was much more to Richard 2nd and to Henry 5th than I had realised."

 

Terms and Conditions and ICE Fee Information and Refund Policy

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Entry requirements
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This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab1order: 
1
tab2order: 
2
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
30980

Read more at: Creative writing: an introduction to writing crime fiction

Creative writing: an introduction to writing crime fiction

Subject ref: 
Type ref: 
Course code: 
2223NOE093
Start date: 
Monday, 22 May, 2023 - 01:00 to Sunday, 9 July, 2023 - 01:00
Apply by: 
Monday, 22 May, 2023 - 01:00
Course tutor id: 
9255
Course ID: 
30747
Tuition fee: 
£395
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
15
Booked places: 
12
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Study mode ref: 
tab1name: 
Course information
tab1html: 

Aims of the course:

  1. To provide students with an overview of crime fiction from the first detective story written by Edgar Allan Poe to recent acclaimed thrillers.
  2. To introduce students to central techniques of writing crime fiction.
  3. To encourage students to make their own experiments with the form.

Learning outcomes:

As a result of the course, within the constraints of the time available, students should be able to:

  1. Describe the history and development of crime fiction and its sub-genres.
  2. Identify and analyse key craft strategies associated with crime fiction writing.  
  3. Undertake their own crime fiction writing, whether in response to specific exercises/prompts or a more extended work-in-progress.

Course content overview:

Crime fiction recently overtook general and literary fiction for the first time as the UK's biggest-selling novel genre.

While crime fiction makes use of universal story structures and archetypes, this broad literary tradition has its own conventions and narrative strategies.

The aim of this online course is to introduce students to the craft of crime fiction, including inter alia: detective stories, psychological/spy thrillers, and mystery/suspense novels.

Each week we will examine a different writing technique: plot, characterisation, narrative point-of-view, dialogue, and novel-openings & endings.

Emphasis will be placed on (i) craft discussions, (ii) close reading of crime novel extracts, and (iii) writing prompts and exercises.  

Schedule (this course is completed entirely online):

Orientation Week: 22-28 May 2023

By studying this week the students should have:

  • Become familiar with navigating around the VLE and from VLE to links and back
  • Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning Helpdesk
  • Learnt how to look for, assess and reference internet resources
  • Used forums to introduce themselves to other students
  • Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies and also to respond to News item sent out on behalf of tutor

Teaching Weeks: 29 May-2 July 2023

Week 1 A detective calls: story structure and the classic whodunit

By studying this week the students should have:

  • Acquired a basic understanding of the origins/tradition of both narrative storytelling and the classic detective tale.
  • Discussed key features, readerly pleasures, and possible limitations of the old-fashioned whodunit story.

Week 2 Characterisation in crime fiction

By studying this week the students should have:

  • Learned to create compelling protagonists and antagonists in crime fiction, in particular by understanding how character and story development are linked.
  • Discussed specific passages from crime novels where the story dynamic (thesis/antithesis) between protagonist and antagonist is effectively exemplified, and where a character’s desire is (a) established and later (b) satisfied.
  • Completed a character-based writing exercise.

Week 3 Narrative point-of-view in crime fiction

By studying this week the students should have:

  • Understood key reasons for composing crime fiction in a certain narrative voice
  • Studied excerpts from acclaimed and classic crime novels using different POV modes
  • Experimented with writing in ‘close third’, omniscient third person, unreliable first person et cetera.  

Week 4 Dialogue in crime fiction

By studying this week the students should have:

  • Performed close readings of dialogue-heavy excerpts from selected crime novels. 
  • Developed a critical understanding of the strategic possibilities and effects of good dialogue in crime fiction beyond conveying information.
  • Put into practice this critical understanding with a short piece of creative work.

Week 5 Openings and endings in crime fiction

By studying this week the students should have:

  • Analysed the nature and objectives of effective novel openings and endings.
  • Completed a writing exercise on first sentence/paragraph (lede) and conclusion (synthesis) of a crime story.
  • Studied and discussed a range of examples from crime fiction.

Feedback Week: 3-9 July 2023

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say:

"I only have positives to contribute, I could not have wished for a better tutor. Very well organised, enthusiastic and inspirational. Individual feedback was very thoughtful, considerate and provided plenty of constructive suggestions."

"This course provided a thorough grounding in the subject. It was presented and moderated with enthusiasm and plenty of confidence-giving encouragement."

"It exceeded my expectations. All the main topics in crime fiction were covered in a very organised way. It was a pleasure to learn from an erudite and friendly tutor."

"Tim Glencross has an encyclopaedic knowledge of the genre he teaches and a contagious enthusiasm for it. He is patient, supportive and understanding teacher. He is the sort of man one would like to have at one's table at a wedding. Or simply have a chat with over a glass or a cup of something in the quiet setting of a country pub."

"My busy life with work and small children means I needed to steal moments here and there to get through the material, so the fully online format suited me perfectly,"

tab2name: 
Entry requirements
tab2html: 

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our online courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Given the nature of creative writing, it is important that students' use of English is sufficiently fluent to be able to understand in English nuances of meaning and have a familiarity with the structure and grammar of English. Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

For information on bursaries for this course, please see https://www.ice.cam.ac.uk/info/bursaries

tab1order: 
1
tab2order: 
2
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31014

Read more at: The archaeology and anthropology of death and burial

The archaeology and anthropology of death and burial

Subject ref: 
Type ref: 
Course code: 
2223NOE091
Start date: 
Monday, 22 May, 2023 - 01:00 to Sunday, 9 July, 2023 - 01:00
Apply by: 
Monday, 22 May, 2023 - 01:00
Course tutor id: 
7812
Course ID: 
30745
Tuition fee: 
£295
Course programme: 
Online Courses
Duration description: 
7 Weeks
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
20
Booked places: 
7
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Purpose ref: 
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To introduce participants to the varied ways in which humans have treated their dead throughout time and across the world, and how this impacts death and burial today
  • To provide the necessary knowledge for a better understanding of mortuary studies in archaeology and anthropology and how scientific studies and humanities play a role in this
  • To familiarise participants with case studies that emphasize the significance of death studies not only in learning more about the peoples of the past but where we are going with how we treat our dead in the future

Course content overview

Why is the skull such a fascinating subject for artists? And why are catacombs popular tourist destinations? These are just some of the questions we will discuss in this course about the unique and unusual ways we honour and inter our dead. Burial sites, human remains, grave goods, and memento mori have embedded information to offer not only about the deceased, but also shifts in ideology of living populations. This course will present a wide range of topics relating to the beliefs and treatment of the dead, across cultures and through time, with current research including how archaeologists are using biomolecular evidence to access how identity is encoded in bones and teeth. There will also be discussion of new and unique ways contemporary society interacts with the deceased, featuring cremation ash tattoos, jewelled skeletons, and zombie history. 

Schedule (this course is completed entirely online)

Orientation Week : 22-28 May 2023

Teaching Weeks: 29 May-2 July 2023

Feedback Week: 3-9 July 2023

 

Teaching Week 1 - The archaeology of death and burial

In our introductory session we will take a look at the major themes and contributors in mortuary archaeology and discuss how burials and bones are analysed via excavations. We will also discuss the ethics of working with human remains and the importance of ethical guidelines when working with the dead.

Learning outcomes

By studying this week the participants should have:

  • A basic understanding of the burial archaeology and the role that human remains and burials play in understanding the past.
  • A knowledge of what ethical considerations there are in working with human remains and how osteoarchaeologists try to address the ethics in every day practice.

Teaching Week 2 - The Ancient Dead

In this session we will focus on more specific forms of burial treatment such as mummification, excarnation, and cremation and look at examples from around the world via a death map activity. We will also look at deviant burials with unique case studies such as Vampire burials and human sacrifice. I will take you on a virtual tour of my lab to show you what scientific methods we use to study human remains.

Learning outcomes

By studying this week the participants should have:

  • A better idea of the way in which peoples of the past dealt with their deceased and the reasons why which leads to inferences made about societal structure and belief systems.
  • Familiarity with the scientific techniques osteoarchaeologists use to analyse human remains

Teaching Week 3 - Memento Mori: the relationship between death and art

This week we will examine the pre-historic and historic relationship between death and art through modified skulls, painted effigies, bejewelled skeletons, Renaissance art, and zombie culture. We will dive into the ways in which philosophy, spirituality, demonology, and medicine influenced how humans have expressed concerns about death through various media.  

Learning outcomes

By studying this week the participants should have:

  • A stronger sense of how humans express views about death in creative ways.
  • A familiarity with the how humans have modified their bodies throughout prehistory as a way to signal social status and economic power.  

Teaching Week 4 - Catacombs, crypts, and graveyards: death tourism

This week will travel the world looking at places of memory and spaces of commemoration including charnel houses, catacombs, royal crypts and mortuary monuments. We will evaluate why these places have become popular tourism sites and discuss the impact this has on these places through a ‘dark tourism’ lens.

Learning outcomes

By studying this week the participants should have:

  • A better understanding of deathscapes and why these appeal or not to a wider audience and the emotional impact these places can have on the living.

Teaching Week 5 - Ashes to Ink: new ways of engaging with the dead

In the final teaching week of this course we will look at new and innovative ways in which humans today are treating our dead with a focus on modern anthropology. We will review what options are now available for dealing with the deceased and discuss the death positive movement as well as cremation tattoos and how popular culture is influencing the field of mortuary studies.

Learning outcomes

By studying this week the students should have:

  • A more thorough understanding of how the business of death is changing and what options are available to the public now.
  • A new appreciation of how ancient rituals are being revitalised in new death practices.

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

"Not only is Trish very skilled and knowledgeable, she is a clear communicator who keeps things simple. The slides were fascinating and really helped with understanding."

"The content has exceeded my expectations. A really well curated course."

"The tutor is very knowledgeable in her field and provided a tremendous amount of information and additional resources."

"The tutor is excellent, and comes across as very knowledgeable, considerate and kind. Thank you very much for such a fantastic course."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

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Fees & bursaries
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Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Bursaries

The Cambridge University Press (CUP) Bursary Fund offers a bursary of 50% of the course fee to applicants who teach in a UK state school or state-funded further education institution, applying to study a day school, weekend course or online course.

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1
tab2order: 
2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
31002

Read more at: Learning and memory in the brain

Learning and memory in the brain

Short description: 

Find out what happens in the brain when we learn and create memories, and why we shouldn’t always trust everything we remember. By understanding our brains better, we can find ways to help improve these processes, at any stage of our lives. During the course, you will find out how memories are stored in the brain, how this process can go wrong, and what changes in the brain as you age. Using research from psychology and neuroscience, we will also cover tips and tricks to help you make the most of your memory.

Type ref: 
Course code: 
2223NOE081
Start date: 
Thursday, 13 April, 2023 - 01:00 to Sunday, 28 May, 2023 - 01:00
Apply by: 
Thursday, 13 April, 2023 - 01:00
Course tutor id: 
8952
Course ID: 
30741
Tuition fee: 
£295
Course programme: 
Online Course
Duration description: 
7 Weeks. This course is completed entirely online
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
20
Booked places: 
15
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Study mode ref: 
tab1name: 
Course information
tab1html: 

Aims of the course:

  • Improve understanding of what the neuroscience and psychology of learning and memory can (and can’t) tell us.
  • Raise awareness of how the brain changes throughout life and how this affects our behaviour.
  • Help develop strategies that can be used at home to improve learning & memory.

Learning outcomes:

As a result of the course, within the constraints of the time available, students should be able to:

  • Know what happens in the brain when we learn.
  • Recall what psychological studies have taught us about learning & memory, and their limits.
  • Understand how the brain changes as we grow and age.
  • Use this understanding to improve the efficiency of their learning & memory.

Target audience:

  • Anyone with an interest in the brain, learning and memory. Teachers, parents, those with elderly relatives. 

Course content overview:

Research in Psychology and Neuroscience progresses rapidly; we discover more about how we learn and how our memories work. This online course will provide a guided tour through the brain, looking at the changes that occur on a cellular level when we learn new information or store a memory. We will examine the way the brain changes from child to teenager to adult, and how these affect the way we learn and remember information. By understanding more about the way memories are stored and recalled, we can explore different ways to help improve this process, at any stage of our lives. 
The study of how learning happens in the brain is a popular emerging field, but it is filled with misinformation. The course will tackle common misconceptions and look at ways in which we can use our understanding of the brain, as well as the tricks psychological research has uncovered, to help everyone learn more quickly and efficiently. We will finish with a practical session covering memory tricks and exercises anyone can use to learn and remember information more effectively.

Schedule (this course is completed entirely online):

Orientation Week: 10-16 April 2023

Purpose/Learning outcomes: By studying this week the students should have:

  • Become familiar with navigating around the VLE and from VLE to links and back
  • Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the eLearning Helpdesk
  • Learnt how to look for, assess and reference internet resources
  • Used forums to introduce themselves to other students
  • Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies and also to respond to News item sent out on behalf of tutor

Teaching Weeks: 17 April-21 May 2023

Week 1 Learning in the brain

Purpose: To introduce students to the neuroscience of learning and memory, and our limitations in its understanding. We will cover the reconstructive nature of memories, false memories, and their implications. By studying this week the students should have:

  • Understood what neurons and synapses are, and their role in memory formation.
  • Know the main brain regions implicated in memory and learning.
  • Learnt that memory is fallible and changeable, and thought about what this means for e.g. eyewitness testimony.

Week 2 Types of memory

Purpose: To discuss the distinctions that can be made between different types of memory, and their usefulness. By studying this week the students should have:

  • Understood the difference between short term and long term memories.
  • Explored different types of long term memory, including explicit and implicit, and the brain regions involved.
  • Looked at how recall and recognition memory differ. 

Week 3 Brain changes through the ages

Purpose: To cover the way the brain changes as we progress from babies to children, teens, and adults and as we age. We will explore how these changes impact our ability to learn at each stage in our life. By studying this week the students should have:

  • Understood how the infant’s brain is primed for learning, and how different abilities mature at different times. Examined the evidence for critical periods in human learning. 
  • Looked at the teenage brain, and its implications for teen behaviour.
  • Gained knowledge about healthy aging, and the brain and behaviour changes associated with it.

Week 4 Memory problems

Purpose: To cover a variety of conditions that can affect memory, including traumatic brain injury, stroke and dementia. We will look at the portrayal of amnesia in the media and its accuracy and discuss what happens in the brain to cause these symptoms. By studying this week the students should have:

  • Understood that damage to different areas of the brain can cause different types of memory problem.
  • Looked at psychological causes of amnesia and the controversies surrounding them.
  • Covered childhood amnesia, and our limits in explaining it. 
  • Become aware of the limits in our understanding of dementia, and the direction future research is likely to take. 

Week 5 Brain Boosts

Purpose: To provide practical, science-based tips and tricks that students can use in their daily lives to help improve their memory and learning. By studying this week the students should have:

  • Understood that psychology, not neuroscience, currently provides us with the most practical guidance.
  • Tried a variety of memory boosts to determine which work best for them, and thought about how they could apply them in their lives.
  • Analysed how the information they have learnt in the course can help make them better learners. 

Feedback Week: 22-28 May 2023

Purpose:
•    Assessment of student learning
•    Assessment of student satisfaction 
•    Encouragement of further study
 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say:

"I’ve really enjoyed the course. Ginny, you have made quite complex topics really clear and easy to understand. The quality of your weekly presentations have been excellent and I’ve benefited from being able to work at my own pace. Additionally, the reading lists have been helpful in expanding my understanding of topics."

"Thank you for this great course Ginny. I enjoyed it all... It was good to be able to try live experiments on ourselves too!"

"Ginny responded so well to our forum answers and questions and even supplied further material on it. Ginny made the course really interesting and understandable."

"the course was well structured, thorough and well-presented and the tutor engaged in conversations, sharing her opinions and insights."

tab2name: 
Entry requirements
tab2html: 

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

For information on bursaries for this course, please see http://www.ice.cam.ac.uk/info/bursaries

tab1order: 
1
tab2order: 
2
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
30949

Read more at: User Experience Design

User Experience Design

Type ref: 
Course code: 
2223NOE047
Start date: 
Thursday, 12 January, 2023 - 00:00 to Sunday, 26 February, 2023 - 00:00
Apply by: 
Thursday, 12 January, 2023 - 00:00
Course tutor id: 
9783
Course ID: 
30732
Tuition fee: 
£295
Course programme: 
Online
Duration description: 
7 Weeks. This course is completed entirely online
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
Maximum places: 
20
Booked places: 
16
Course cancelled: 
false
course status ref: 
booking destination ref: 
Tutor role ref: 
Tutor
Study mode ref: 
tab1name: 
Overview
tab1html: 

Aims of the course

  • To gain knowledge of the principles of User Experience (UX) Design
  • To develop awareness about UX Design methods and tools
  • To understand the importance of empathy in UX Design
  • To experiment how to creatively build ideas and tell compelling stories
  • To develop a user-centred, inclusive mindset applicable in both personal and working life
  • To connect with a group of like-minded colleagues and UX Design leaders from major worldwide businesses

Target Audience

  • Those interested in learning more about design thinking, creativity, innovation, and storytelling
  • Those considering becoming User Experience Designers or approaching User Experience Research
  • User Experience Designers and User Experience Researchers in training
  • No prior UX Design experience is necessary, although participants would normally be working within organisations or working professionally with organisations.

Course content overview

Nowadays, in a time everyone is required to continuously acquire new skills, it is extremely relevant to make sure that we understand the importance of having a user-centred, inclusive mindset, what being a UX Designer means and what tools are available to efficiently craft meaningful experiences.

This course will emphasise the central role of thinking creatively with empathy, and the importance of understanding different methods to approach problem solving, innovation, and establish a working practice that helps to craft inclusive experiences.

The UX Design course will stress the importance of inclusion and diversity in the creative process, storytelling, pitching and advocating about ideas to influence peers by delivering inclusive experiences across different countries.

With this course participants will be able to transition in to UX Design roles, approach life with a more empathetic, inclusive attitude, and infuse the UX Design mindset to colleagues and friends.

Schedule (this course is completed entirely online)

Orientation Week: 9-15 January 2023

Teaching Weeks: 16 January-19 February 2023

Feedback Week: 20-26 February 2023

Teaching Week 1 - Introduction to UX Design: the importance of meaningfully connecting with people

The focus of this week is to explore what UX Design is, the relevance of connecting with people and the overall core skills of a User Experience Designer.

Learning outcomes

By studying this week, participants should have:

  • Knowledge and understanding of the principles of UX Design
  • Knowledge and understanding of the importance of connecting with people according to the principles of inclusion, diversity, and equity 
  • Taken part in a practice session with a fellow participant to experiment how to meaningfully connect with other individuals

Teaching Week 2 - The relevance of UX Design: approach, methods and applications

The focus of this week is to comprehend the approach and available methods and to familiarize with them across multiple applications in different scenarios  

Learning outcomes

By studying this week, participants should have:

  • A deeper understanding of UX Design approach and methods
  • Knowledge and ability to clearly justify how and when to use methods, according to project goals, timing and budget
  • Taken part in a learn by doing session with a fellow participant with a practical challenge

Teaching Week 3 - Deep dive into UX Design methods and tools: WWWWWH, what, who, where, when, why and how

This week will deep dive into methods and tools and will explore the “what, who, where, when, why and how” of UX Design by helping participants to recognize which tool fits best their specific goals in collaboration with co-workers.

Learning outcomes

By studying this week, participants should have:

  • Knowledge and understanding of the methods and tools and their applicability
  • Learnt how to apply tools and methods sessions through applied exercises
  • Knowledge and understanding of how to prioritise choices for creating inclusive experiences

Teaching Week 4 - Industry case studies

The focus of this week is to illuminate participants with case studies and allow them to discover how to apply user-centred research  into user-centred design and create inclusive products and services.

Learning outcomes

By studying this week, participants should have:

  • Greater awareness on how to communicate ideas, the art of storytelling and to influence peers and customers with compelling stories that evoke emotions
  • Deeper understanding of the mindset, the job as a UX Designer in a large organization
  • Understanding on how to connect with companies and what to offer for a possible career change or new job opportunity in UX Design

Teaching Week 5 - Becoming a UX Designer: opportunities and challenges

This final teaching week focuses on the practical aspects of becoming a UX Designer, what are the opportunities offered in the market, what are the challenges and how to get ready to land a job in the UX Design market

Learning outcomes

By studying this week, participants should have:

  • Knowledge and understanding of the practical aspects of being a UX Designer
  • Understanding the importance of a portfolio, the benefit of being a UX Designer, and how the job market is eager to recruit UX Designers
  • Grasp the significance of UX Design in several business sectors and job market dynamics
  • Reflections from industry case studies 

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

"An excellent overview of the principles of UX Research and UX Design! I’ve gained a broader awareness of the importance of inclusive design (as a universal human right); Deiter Ram’s 10 principles for good design; the UXPA Code of Professional Conduct which can be applied to a wide range of purposes and cross-disciplines; the UX Research Tools Map which contains many new/different tools I’m excited to explore further; and an abundance of other new resources and tools!"

"I have gained a deeper understanding of the ideologies of user experience design. I have learnt that UX design that disregards people, is in return overlooked. Moreover, creating good UX design is about putting the consumer first, so question everything. Also, for brand loyalty and greater revenue, it is imperative that the Who? What? Where? When? Why? How? (WWWWWH) method is implemented. This strategy will allow one to identify the user’s needs so that a useful and user-friendly product is constructed and released into the market."

"I have learnt a great overview of what UX Design is and all the resources that are out there to help. I found the additional articles and videos very helpful and would say that I have watched or read 90% of them and have noted them all for future reference."

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Requirements
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Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

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Fees & bursaries
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Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Bursaries

The Cambridge University Press (CUP) Bursary Fund offers a bursary of 50% of the course fee to applicants who teach in a UK state school or state-funded further education institution, applying to study a day school, weekend course or online course.

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30996

Read more at: Creative writing: an introduction to travel writing

Creative writing: an introduction to travel writing

Short description: 

Do you have a passion for travel and words?  This course will introduce you to the skills and concepts needed to turn your experiences into Brysonesque prose, and help you on your way to writing a travel book.  Expect all manner of insights into how successful travel writers do it, with an emphasis on practical writing exercises and close discussion and assessment of your own work.

Given the nature of creative writing, it is important that students' use of English is sufficiently fluent to be able to understand in English nuances of meaning and have a familiarity with the structure and grammar of English.

Subject ref: 
Type ref: 
Course code: 
2223NOE060
Start date: 
Monday, 20 February, 2023 - 00:00 to Sunday, 9 April, 2023 - 01:00
Apply by: 
Monday, 20 February, 2023 - 00:00
Course tutor id: 
9217
Course ID: 
30737
Tuition fee: 
£395
Course programme: 
Online
Duration description: 
7 Weeks. This course is completed entirely online
Non-accredited
0
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Postcode: 
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Double capacity: 
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Course information
tab1html: 

Aims of the course:

  1. To introduce students to travel literature – books and essays rather than journalism
  2. To familiarise them with the skills and practices of travel literature
  3. To encourage and develop students’ own skills as travel writers.

Course content overview:

  • The course will familiarise students with a wide range of travel books selected to illustrate the substance, diversity and flexibility of this creative genre. 

Course outline

Welcome week

By studying this week the students should have:

  • Become familiar with navigating around the VLE and from VLE to links and back.
  • Tested their ability to access files and the web conferencing software and sorted out any problems with the help of the Helpdesk.
  • Learnt how to look for, assess and reference internet resources.
  • Used forums to introduce themselves to other students.
  • Contributed to a discussion forum to introduce themselves to other students and discuss why they are interested in the course, what they hope to get out their studies. 

Week 1

By studying this week the students should have:

  • Understood, by reference to published examples, what their own travel book, however formative, might constitute, in terms of the proposed journey and its underlying subject or preoccupation.

Week 2

By studying this week the students should have:

  • Gained a sense of the importance of their opening paragraphs.
  • Begun to think about their own place in the story they mean to tell.

Week 3

By studying this week the students should have:

  • A better sense of the qualities they need to prioritise or develop as travel writers.
  • Learned something of the degree to which these personal qualities might be ‘on show’ in their narratives and of the dangers inherent in self-portrayal.

Week 4

By studying this week the students should have:

  • Begun to learn how to evoke landscapes and populate them.
  • Learned how to deploy dialogue and description.

Week 5

By studying this week the students should have:

  • A good sense of how accomplished travel writers successfully present their travel experiences; what works and what doesn’t from both the writer’s and his/her readers’ perspectives.
  • Understood what obligations, if any, the travel writer has to tell the truth, however that is defined.

Week 6

  • Assessment of student learning.
  • Assessment of student satisfaction.
  • Encouragement of further study.

Learning outcomes

As a result of the course, within the constraints of the time available, students should be able to:

  1. Show a greater understanding of travel writing as a form/genre
  2. Be better able to convey People and Place
  3. Be better able to structure a travel writing narrative

 

Schedule (this course is completed entirely online):

Orientation Week: 20-26 February 2023

Teaching Weeks: 27 February-2 April 2023

Feedback Week: 3-9 April 2023

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards,etc).

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

 

What our students say

"I didn’t just learn about crucial elements to travel writing, I also grew as a writer"

"The course exceeded my expectations. This was primarily down to the most excellent tutoring by Jeremy Seal who went beyond the call of duty on many occasions."

"Jeremy was an excellent tutor, providing prompt feedback and the presentations were excellent. It was great to interact with both Jeremy and the others on the course and to read others' work. I have learnt a great deal."

"The pacing was great and the interactive nature of the class made it engaging. I like that the content for each lesson was also available in the text as it aided with accessibility."

"I enjoyed the content of this course; It was very broad and inspirational. We explored several different formats, from magazine and newspaper articles to classic as well as more recent books on travel. Video and poetry also featured. I feel well educated."

"The samples, then writing assignments really stretched my abilities, but helped me recognize I need to add relevant detail, while sifting out fluff. I don't think I understood the difference before this course. I'm still learning. This was absolutely wonderful!"

tab2name: 
Entry requirements
tab2html: 

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our online courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Given the nature of creative writing, it is important that students' use of English is sufficiently fluent to be able to understand in English nuances of meaning and have a familiarity with the structure and grammar of English. Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

For information on bursaries for this course, please see http://www.ice.cam.ac.uk/info/bursaries

tab3name: 
Fees & bursaries
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Bursaries

The Cambridge University Press (CUP) Bursary Fund offers a bursary of 50% of the course fee to applicants who teach in a UK state school or state-funded further education institution, applying to study a day school, weekend course or online course.

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2
tab3order: 
3
Course Image version: 
2
Study level ref: 
Canonical Course ID: 
30997

Read more at: Cosmology: the birth, the present, and the fate of our Universe

Cosmology: the birth, the present, and the fate of our Universe

Subject ref: 
Type ref: 
Course code: 
2223NOE069
Start date: 
Monday, 10 April, 2023 - 01:00 to Sunday, 28 May, 2023 - 01:00
Apply by: 
Monday, 10 April, 2023 - 01:00
Course tutor id: 
3532
Course ID: 
30703
Tuition fee: 
£295
Course programme: 
Online
Duration description: 
7 Weeks. This course is completed entirely online
Non-accredited
0
Course photo: 
City or Town: 
Postcode: 
Single capacity: 
0
Double capacity: 
0
Twin capacity: 
0
Single usage: 
0
Double usage: 
0
Twin usage: 
0
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15
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0
Course cancelled: 
false
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tab1name: 
Overview
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Aims of the course

  • To provide a full structure and understanding to your learning in this subject, through a framework that gives a clear and comprehensive understanding of the nature of the universe through a review of its origin, structure, and evolution from the Big Bang to today, and on into the future.
  • To provide an understanding of modern cosmology, the scientific study of the large-scale properties of the universe as a whole.
  • To provide a framework, in this present golden era of astronomy, within which you may better understand the science of astronomy encountered on multimedia, and to place into context the importance of new discoveries.
  • To help you take full advantage of online resources, such as YouTube astronomy channels, audiobooks, and astronomy books aimed at the general public.
  • To encourage you to attend astronomical observing opportunities and consider undertaking additional astronomy courses elsewhere.

Target audience

Non-astronomers who are captivated by the night sky and simply wonder 'why'?

Course content overview

Assuming no prior knowledge, as celestial explorers in today’s modern era of precision cosmology, and armed with full-spectrum vision and multi-messenger tools, we’ll explore the entire history of our Universe. From birth to death through its origin, evolution, and structure, with precise, reliable answers based on a spectacular series of recent breakthroughs in the last few decades.

Cosmology, an ambitious field that concerns itself with the entire universe, as well as all of time, is presently in the midst of a truly remarkable period of growth, particularly in the last 20 to 30 years.  Precision is indeed possible, even on the grandest of scales, in which to nail down the various parameters, with an uncertainty in these values of just ~1% or so, that have worked in concert to determine the structure of the universe over its eons of existence, along with all the eons to come - long sought-after numbers that define the form and age of the universe.

A universe that is vast, pushing comprehension to its limits, but surprisingly one that bears witness to the fact that the consistency of our laws of nature throughout the universe means that it is understandable. This is a remarkable fact, for as Neil DeGrasse Tyson points out, the Universe is under no obligation to make sense to you, and yet the same laws of science apply everywhere. That is, the laws of physics are universal. This is why we can use spectroscopy and studies of the behaviour of distant stars and planets under gravity to derive information about them. Atoms in distant stars and galaxies obey the same quantum laws everywhere, allowing us to interpret information conveyed by their spectra. The motions of planets, stars, galaxies and galaxy clusters can be understood using the universal laws of gravity and motion, whether we use the version complied by Newton or Einstein.

By the end of this course, we will understand how cosmology, as a subject, which not that long ago carried a faint hint of disreputable scientific study, has moved from pure and often wild speculations, to the most solid of solid scientific foundations. A universe that we now comprehend was birthed from a microscopic dot of existence to the size of a watermelon through faster-than-light expansion for the merest fraction of a fraction of a second. But the universe, that we could understand and live in, then followed, born silently in the shortest of instances, in a torrent of energy in full blazing light. Then, following basic scientific laws within the first three minutes of its existence, proceeding the creation of subatomic particles, the light elements, hydrogen, and helium, were formed. From the creation of the first atoms, and the operation of the known forces of physics, the rest was history, as laid out beautifully in the LambdaCDM model, our current best picture of the origin and evolution of the Universe.

From dark matter to dark energy, cosmic inflation and the possibility of a multiverse, we will comprehend the full wealth of mysteries of this vast universe. An observable universe that was once considered finite and unbounded, as in the surface of a sphere by analogy with nothing outside of it, is now thought likely infinite and more or less flat in shape, with any possible curvature only visible in the metaverse beyond.

To comprehend this stunningly rich and coherent picture presented by modern observational cosmology, that is dominated by the Big Bang theory, requires getting to grips with the two essential languages for cosmology: General Relativity, Einstein’s theory of gravity; and the Standard Model of physics, which explains how the basic building blocks of matter interact, governed by four fundamental forces.

Armed with this knowledge we will address some of the biggest questions in modern astronomy, such as: What came before the Big Bang? How old is the universe? Will the universe end? and if so, how? In addition we will touch on some of its most fundamental mysteries which remain unsolved. So, if you truly wish to expand your horizons, and occasionally blow your mind in the process, then please join me for this one truly amazing journey

Schedule (this course is completed entirely online)

Orientation Week: 10-16 April 2023

Teaching Weeks: 17 April-21 May 2023

Feedback Week: 22-28 May 2023

Teaching Week 1: An inventory of the contents of the Universe

This week will cover:

  • Understanding the quantities, and types, of matter and radiation in the cosmos.
  • Understanding the concepts of dark matter and dark energy.
  • The uniformity and expansion of the cosmos.

Teaching Week 2: Modelling the Universe

This week will cover:

  • Understanding the cosmological assumptions and the Copernican principle that underly modern cosmological models.
  • Comparing the Steady State and Big Bang models, and the overwhelming evidence for the latter theory.
  • A brief over of all the ages of the universe.

Teaching Week 3: The very early Universe - in the beginning...

This week will cover:

  • Understanding the smallest scales we can observer, and consider what came before the hot Bing Bang, that is inflation.
  • Neutrino decoupling and particle annihilation to complete the first second of the universes existence.

Teaching Week 4: The early Universe - Creation of atoms to recombination

This week will cover:

  • Understanding the creation of the lightest elements via the process of nucleosynthesis.
  • Studying the Cosmic Microwave Background and its cosmological implications.
  • Considering the Dark Ages and the emergence large-scale structure.

Teaching Week 5: The Universe today, the far future, and its ultimate fate

This week cover:

  • Discussing the stelliferous era, beginning with the first stars and galaxies in the universe, and ending with the fate of the galaxies.
  • Considering the various degenerate, black hole and dark era's.
  • Concluding with a discussion on the fate of the universe, the consequences of dark energy and consideration of such concepts such as the multiverse.

Each week of an online course is roughly equivalent to 2-3 hours of classroom time. On top of this, participants should expect to spend roughly 2-3 hours reading material, etc., although this will vary from person to person.

While they have a specific start and end date and will follow a weekly schedule (for example, week 1 will cover topic A, week 2 will cover topic B), our tutor-led online courses are designed to be flexible and as such would normally not require participants to be online for a specific day of the week or time of the day (although some tutors may try to schedule times where participants can be online together for web seminars, which will be recorded so that those who are unable to be online at certain times are able to access material).

Virtual Learning Environment

Unless otherwise stated, all course material will be posted on the Virtual Learning Environment (VLE) so that they can be accessed at any time throughout the duration of the course and interaction with your tutor and fellow participants will take place through a variety of different ways which will allow for both synchronous and asynchronous learning (discussion boards etc).

Certificate of participation

A Certificate of Participation will be awarded to participants who contribute constructively to weekly discussions and exercises/assignments for the duration of the course.

What our students say

"I found this to be a fabulous course and a wonderful final course to end the trilogy of courses on introductory astronomy. I left this course with an awe on the scale of our universe, a grounding in particle physics and its mysteries and a wonder as to whether this universe is just one of many in existence. I enjoyed the presentations, discussion threads and fantastic videos. All made possible by Hardip, an excellent and remarkably supportive tutor."

"I have enjoyed the course massively! I look forward to signing up for the other two courses in the series. We have all gained immensely from the extra effort that Hardip has put in to deliver the complex concepts of the course so concisely (especially General Relativity), being available in the forums, posting extra videos, and reviewing contributions. We leave with a solid introduction to cosmology, the evolutionary history of the universe, and current research, as well as a sense of profoundness."

"As with the previous two courses, this was superbly presented with a wealth of fascinating and thought-provoking subjects. It’s easy to say, but it genuinely is awe-inspiring to try to comprehend the distances, sizes and time spans involved with cosmology, from the infinitesimally tiny to the absolutely enormous. Once again, thank you Hardip for your well-constructed modules, your stimulating use of video to bring to life the various subjects, and the prompt and proactive way you have dealt with questions and issues as they’ve arisen."

"I want to start by saying that I have immensely enjoyed this course, the past weeks have gone by so quickly and every Friday I have been looking forward to the material for next week's lectures being released. From an increased understanding of general relativity to a better view of the evolution of the universe, this course has really exceeded my expectations. I have also enjoyed the discussion on the philosophical aspects of the current research of our universe. The lectures have been very well structured and easy to follow, and the content has really been brought alive by Hardip. My interest in the subject area has definitely grown, and I look forward to signing up for Hardip's other courses."

"This course was an excellent conclusion to this series of three courses. Hardip was very good at giving excellent basics in astronomy."

"The very well reasoned course sequence by Hardip, followed by each topic, sparked the curiosity to know more and more... to research more and more."

"My thanks to Hardip for teaching an excellent on-line course."

tab2name: 
Requirements
tab2html: 

Entry requirements

This course is open to everyone, and you don’t need any previous knowledge or experience of the subject to attend.

Our short courses are designed especially for adult learners who want to advance their personal or professional development. They are taught by tutors who are expert in both their subjects and in teaching students of all ages and experiences.

Please note that all teaching is in English. You should have near-native command of the English language in order to get the maximum benefit from the course.

tab3name: 
Fees & bursaries
tab3html: 

Fees

The course fee includes access to the course on our Virtual Learning Environment (VLE), personal feedback on your work from an expert tutor, a Certification of Participation (if you complete work and take part in discussions), and access to the class resources for two years after your course finishes.

VAT does not apply to course fees and there is no service charge (gratuities to domestic staff are left to your discretion).

Bursaries

The Cambridge University Press (CUP) Bursary Fund offers a bursary of 50% of the course fee to applicants who teach in a UK state school or state-funded further education institution, applying to study a day school, weekend course or online course.

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2
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Course Image version: 
3
Study level ref: 
Canonical Course ID: 
30964